Fall for you

"fresh air, a garden, kisses, books to read, sheltering arms, a cozy bed..."

Fall colors, Buenos Aires, 2012.

Buenos Aires Photo 2011

If you love photography, this month, don't miss Buenos Aires Photo. It's an opportunity to check out some of the best photography in Latin America and the world. The exhibition will take place from October 27- 30; hosted by Palais de Glace in Recoleta.

Photos kindly provided by: Gachi Prieto Gallery & Elisi del Rio Arte Contemporáneo - stand 19 - featuring works by Carolina Magnin, Gaby Messina, Lena Szankay, Arturo Aguiar, Daniel Kiblisky and Simón Altkorn.

Enjoy! xo

Visual Arts Prize

One way for Argentinian artists to become known is to win the Visual Arts prize that the Salon Nacional awards each year in any of its 8 categories (painting, etching, sculpture, drawing, photography, ceramic arts, textile arts and installations).

Salon Nacional was founded in 1911, with the idea of fostering Argentinian artistic development and this is what they've done for the last 100 years. Salon Nacional has always been recognized as a very important space where pieces of art are legitimated and aesthetic parameters are set.

Only a few days remain before the exhibition of the works of this years winners are taken down (October 16), if you have time, it is worth a visit.

Where? At the Palais de Glace, Libertador Avenue 1248.

Enjoy!

Cosmópolis

Photo: Horacio Coppola

You've probably heard of Borges

Perhaps you've read some of his works and liked what you read. Maybe you've been to Buenos Aires before, and while you were here, you were curious to learn more about the author. Maybe you sat at the cafés he frequented (Tortoni, La Biela, etc), visited the National Library he once directed, went to Plaza San Martin where he took long walks or walked through Palermo, the neighborhood where he grew up. Maybe you did all of this without even knowing about Borges and how this all relates to him. To my surprise, I've had two or three clients very interested in Borges, his work and his life in Buenos Aires. It is thanks to one of these clients (a couple actually) that a few years ago, I had the pleasure of following the author's "footsteps" - this time consciously * and in the company of someone from AD who actually knows a respectable bit about the author and his life, unlike me.

This year, in the frame of Buenos Aires as Book Capital of the World, there have been many interesting events which I've been sharing with you. Today, it's about a new exhibition organized by the Ministry of Culture of the city of Buenos Aires.

“Cosmópolis, Borges y Buenos Aires” is an audiovisual exhibition, that explores the connection between the Argentinian writer and the city of Buenos Aires.

Created by Juan Insúa, “Cosmópolis" is an adaptation of the same exhibition that was presented at the Contemporary Cultural Center of Barcelona in 2002. This new version explores in a more profound manner this particular bond between Jorge Luis Borges and the city of Buenos Aires.

Through images and audiovisual material, “Cosmópolis, Borges y Buenos Aires” invites us to explore the evolution of Borges' literature with special attention to the way the author passes from a precise stage (Buenos Aires) to a universal city.

The exhibition is divided into seven sections that follow the work of the author in chronological order as well as a thematic manner:

-FUNDACIÓN MÍTICA (Mythic Foundation)
-FERVOR DE BUENOS AIRES (Passion of Buenos Aires)
-EL SUR METAFÍSICO (Metaphysic South)
-LA CIUDAD TRANSFIGURADA (Transfigured city)
-LA BIBLIOTECA INFINITA (Infinite library)
-EL HERESIARCA CANONIZADO
-COSMÓPOLIS


About 150 photos from photographers such as Horacio Coppola, Grete Stern, Humberto Rivas, Pepe Fernández y Facundo Zuviría help us situate ourselves in the city of Buenos Aires in different time periods, along with seven audiovisual pieces including “Fundación mítica de Buenos Aires” - corresponding to a poem that traces the poetic process of the foundation of Buenos Aires; “Fervor de Buenos Aires” which explores the Buenos Aires of the 1920's through moving images of that time period, allowing us to feel the city at the start of the century; and “El Tango” which elaborates a reflection on the origins and evolution of Tango, among others.


Where? Casa de la Cultura del Gobierno Porteño: Avenida de Mayo 575, Buenos Aires.
When? Tuesdays to Sundays from 14:00 to a 20:00hs. Til December 2011.

*meaning that this time I was doing it in order to understand a little more about Borges and not by coincidence.

happy weekend!

“Baiser de l’Hotel de Ville” from 1950.

An exhibition of 137 original pictures by the French photographer Robert Doisneau is taking place at Centro Cultural Recoleta, Buenos Aires, curated by Agnès de Gouvion Saint-Cyr.

The exhibition, called "Simply Doisneau" is simply fantastic!

If you're around this weekend, this is a good plan.

Enjoy! xx

tango reborn

Photo: Aldo Sessa

Tango has been defined by Enrique Santos Discepolo - one of it's greatest poets - as "a sad thought that is danced".

No one can really tell for sure how tango started out. It is said that the word tango was originated in Argentina and Uruguay by the African slaves that arrived in the beginning of the 1800's. It is very likely that it is was the result of mixing a Portuguese word meaning "tambo" (drumming) with an Argentinian word.

The slaves lived by the river (Rio de la Plata), in the outskirts of Buenos Aires, in very rudimentary and basic housing called "conventillos". These consisted of a house with various rooms in which many families lived. One family per room. In Spanish, the word "conventillo" also means "crowded" or "mess". There is a very popular expression: "Esto es un conventillo" meaning "this is a mess".

At first, tango was a dance meant only for the slaves. They met and danced to forget the hardships they went through and to have a good time. Tango was created in the beginning as a dance. There was no music. That came later, musicians improvised trying to adapt their music to the choreographies they saw in a 2 x 4 music compass.

Tango started to sprout in dance houses, in "conventillos" in the southern area of Bs. As., in dating houses, and dance academies with the use of a particular language and very tight codes. In the 1880's it was brought to theaters. Actors began including the dance in their performances.

Slowly, tango started shifting from the outskirts of the city and moving into it. Men began dancing in the streets and hiring women to dance with them in dance academies.

Tango was considered an unacceptable dance by the Argentinian middle and higher classes. In the issue of the magazine "Club de tango" dating from 1922 there is an article called "What do you think about tango", where there is a testimony: "My boyfriend is a good man and never lies. He has said to me that I shouldn't dance tango because in doing it one risks it's own purity and dignity. When he says "I love you", I believe him, now I must believe him as well, that is why I don't like that dance."

It's interesting to see and understand why through time, tango went from being a low street dance repelled by the majority of middle and high class "porteños" (people from Buenos Aires) to a very prestigious and internationally recognized dance.

Tango was introduced in Paris in the early years of the 20th century, when dancers and orchestras from Buenos Aires, travelled to Europe. Tango became very popular in France, where it began to shine around the time of the First World War. The dance later became popular in Berlin and London. It was a hit. In France a new era was born for tango: intellectuals, orchestras and musicians very much embraced tango and contributed to the improvement of the music and the lyrics. It was after this European love for tango that Argentina opened it's arms to it. The thought that prevailed at the time was: "Tango is embraced with passion in Europe, we're missing something."

But, why does tango continue to attract so many people? I don't know if you have ever tried it. It takes some practice and coordination and requires a partner. But once you have it all down and are in the dance floor with your partner, there is a mystic to it you simply can not stop wanting more of. You feel sensual and feminine. It helps if you understand the lyrics of the songs. They are so incredibly sad.

They are mostly about frustrated love relationships, but also about horse racing, drinking, prostitution, cheating, growing up in Buenos Aires, the nostalgia one feels when one is away from Bs. As., etc.

Many talk about loss. They are very melancholic. I have translated one of my
favorites for you and included a link were you can hear it.


The burr

by Jesus Fernandez Blanco (1926)
Translation: Valeria Mendez Cañas

"I burr has stuck on me. Inside of my heart, I have sorrow,
Why did you leave home so ungratefully? Why did you make my
peaceful life, painful?
I will never be able to take off my chest that painful burr.
My soul is agonizing, I'm faithless,
I have lost my home and my love
because of all the sorrow you've caused me.

I don't know why you went away from me
If I adored you with such intense passion
I don't know why you were keeping something from me
without letting your lack of interest show....

Your love made me a very happy man,
I never thought your passion would turn
into a dagger that would cause my
heart such a wound.
I want you to know that I am moving sadly and alone
along the paths of life. The memories I keep have grown on
me like burrs in a pasture land...
I hope we stumble into each other some day
so that I can see if you have finally found everything
you have unconsciously dreamed of.
And maybe then the two of us can start again!

Here is the music and lyrics


In the early nineties a lot of young people started to learn tango, along with many
foreigners and people in-the-know. Before, it was considered a marginal or an old people's dance. It was danced in middle to low class neighborhood clubs called "milongas" (a milonga is a variety of tango).

Imagine the environment: an indoor court, cheap lighting, cheap drinks, tango music. Back in the old days, in the 1950's tango orchestras played live, that is how: Gardel, Goyeneche, Sosa, Pugliese, Piazolla and Salgan, to name a very recognized few, became famous.

Some things have changed, but the spirit is the same.

If you would like to learn more about tango, see a tango show or dance at a milonga, feel free to ask us for information.

Co-post: Vale and Mich

Aldo Sessa celebrates 50 years of photography.

Aldo Sessa celebrates his passion for image with a photographic exhibition at the Centro Cultural Recoleta, composed of over 100 photographs of Argentinean landscapes, his world trips, tango and portraits, among others. Saw it today. Loved it!
























Sessa photographed by Bruce Webber in 1995
- La Nacion.