Buenos Aires Jazz

Jazz is to Americans what tango is to Argentinians (uhm… or some say its country music?)

Jazz was born in New Orleans (that’s right, not Chicago, not NYC) just as tango was born on the banks of the Rio de la Plata in Buenos Aires. Like tango, Jazz is also a product of diversity. New Orleans was French, then it was Spanish, then it went back to being French until it finally became American (although, you know what they say in Nola: “third world and proud of it”). Anyone who has been there, has probably noticed how different NOLA is from the rest of the US. In many ways, it's more like Argentina.

New Orleans Jazz was created by immigrants from Africa who met to sing religious hymns, but in the process, their voices started to merge generating different harmonies. Thus, variations on these melodies came to life.

While European music requires careful listening and who interprets it must remain faithful to the score - even in the execution of the expression, in jazz, there is a kind of game. Musicians follow certain rules, but mostly improvise and put their own vibe into the music.

To those who are eager to expose their ears to the sharpness of this genre and also those who simply want to enjoy the pleasure of hearing this music without much thinking, we invite you to the Fourth Edition of the Festival de Jazz de Buenos Aires. Advance ticket sale starts today, while concerts start the following week.

Enjoy!

Tomas Nessi

Tomás Nessi, will be giving a piano recital for Mozarteum Argentino, at Teatro Gran Rex on September 21. The program will include works of Frédéric Chopin and Sergei Prokofiev. Tickets are free and can be requested at the theater's box office a few hours before the show.

It's a curious thing the music this Spring brings us. Tomás won the 2009 Biennale Youth Contest, so it's interesting that this year right after watching him, we get to listen to the winner of this year's edition. How lucky!

Tomas' resume is long for his age: 20. He started his formal studies in La Plata, Province of Buenos Aires, at the age of 9 but he first approached piano at 5.

He has given recitals in La Plata, in various concerts halls in the city of Buenos Aires and also throughout different provinces of Argentina.

He has performed solo with the Chamber Orchestra of the City of La Plata, Academic Camerata of the Teatro Argentino de La Plata and Symphony Orchestra of the Argentinian Public Television, under the direction of Roberto Ruiz, Carlos Sampedro, Bernardo Teruggi and Marcelo Zurlo.

In 2004, he won third prize in the First National Contest for Young Players organized by Radio Nacional and Temporada Allegretto in Argentina.

In 2005, he won second prize in the contest "Constructing Peace and Unity", organized by Northlands School and Asociación Música Viva.

In 2006, he got first prize at the "Alberto Ginastera" National Piano Contest, organized by Scala de San Telmo and the International Contemporary Music Encounters Foundation. This allowed him to offer a recital in the International Festival of Contemporary Music directed by composer Alicia Terzian in 2008.

In 2009, he won the Shell-Festivales Musicales Biennale Contest for Young Talents, and later toured some provinces of Argentina and recorded a CD along with the winner of the Singing and Chamber Music categories.

In 2010, he won three scholarships that allowed him to keep expanding his talent: Fondo Nacional de las Artes', Mozarteum Argentino and Instituto Cultural de la Provincia de Buenos Aires.

In 2011, a German Academic Exchange Service granted him a scholarship to continue studying at La Hochschule für Musik und Tanz Köln, Colonia Germany.

We hope you enjoy this program and this musical month in Buenos Aires.

A Matter of Faith

Photo: Gustavo Cerati


The former lead singer and guitarist of Soda Estereo, Gustavo Cerati, icon of Argentinian pop culture, has been in a coma for a year and three months now.

Explaining Argentinian culture to English speakers can be complicated at times, because, just as some feelings are often hard to explain, so are some terms or expressions in Spanish. However, referring to visual or auditory aids such as art or music helps a person to get a better understanding of things or events.

There are other things that are hard to express, as well, in any culture: whatever isn't working right, illnesses that come to us as a surprise and the way we are confronted with someone’s departure. Explaining Gustavo Cerati combines all of these ingredients. Cerati's songs defined a great part of the 80's generation in Argentina and so did the band's look and identity. Maybe you've heard a Soda Estereo song? songs such as "Signos," "Persiana Americana," "Lo que sangra," "Doble vida," “Cuando pase el temblor” and "Ella uso mi cabeza como un revolver" were popular on MTV even when it didn't have a Latin American Music section. I hope you've heard some of these songs and perhaps understood the strength they have. If you haven't you can just click on the links above.

Gustavo suffered an cerebral vascular accident while performing during a concert in Caracas, Venezuela in May of 2010. Although he’s been in a coma for a very long time, we continue to hope and pray for him to get better.

¡Fuerza Cerati!


Post by: Valeria Peimer
Photo: Cosas de autos