Garabito

Ricardo Garabito "El Banquete" pencil, tempera and watercolor.
Courtesy Malba, Buenos Aires.


Ricardo Garabito's art is not frequently seen in Buenos Aires. He cannot exhibit his work every year because it takes him more than that to evolve. He is not the type of artist who would hang his work anywhere just to be "in" the artistic scene of Buenos Aires. It is only after working on numerous paintings that he feels he can choose the best ones and show them to the public. Born in 1930, he has exhibited his work only 11 times. That's why Malba's exhibition of his oil paintings, drawings and watercolors until August 29 is special.

Critics say he is a realist. He paints human figures and still life but uses color as the Fauvists did, chooses subject matters as the surrealists did, puts 3-d figures in 2-dimensional backgrounds and has a peculiar way of using light. Fitting him only into the category of realism would simply not be enough.

His topic is ordinary life. He depicts men, women, still life and a lot of plastic: bottles of bleach, bathroom cleaner, buckets, milk bottles and food cans. His most interesting characters fit into the category of "mersas", an Argentinism used in the 60's and 70's referring to people that did not take care of their own manners or personal appearance.

Some of his models have unfashionable hair cuts from neighborhood's beauty salons, men appear wearing white under t-shirts and women wear fashion items in their chubby bodies and in the most unfashionable way possible. Garabito's characters are anti heroes! His painting is ironic, borders on vulgarity and funny. He has seriously managed to laugh at the aesthetics of every day life.

Garabito studied painting for three years until his teacher - Horacio Butler - told him it was time to move on. He realized that if he was going to paint, he could not copy what other colleagues were doing in an attempt to fit in. He decided to be authentic, to be himself, and that, he achieved indeed.

On view at MALBA: Avenida Figueroa Alcorta 3415



Post by: Valeria Mendez Cañas.

dia del niño

Paintng by Milo Lockett


Argentina celebrates a peculiar holiday this coming Sunday. We call it "Children's day" and I thought it would be a good opportunity to talk about childhood.

Childhood is the stage where it all begins. There is a lot of potential in that stage that develops over time. Much has been said about raising children but I think it has to do, foremost, with having a loving/positive relationship with them and your partner. You have to be encouraging and respectful at the same time. That simple, that hard.

To me, teaching/helping children to become INDEPENDENT is key. Once they achieve that at home and feel confident about themselves they will be able to use that confidence as a resource in life. Independence should not be imposed, it should be taught as something to conquer.

When I think of childhood, I think of these words: play, fun, games, friends, treats, toys, swimming, affection, sports, feelings, proximity, assurance, trust, simplicity, creation, fights, hardships, learning, laughter. Francoise Dolto, a famous French psychoanalyst, once said in her book The Cause of Children: "The sources of knowledge are found in children. They are metaphysical. They are beings that ask themselves true questions. As metaphysicists, they look for answers."

In Childhood, playing is the way to independence, a way to find one's own answers. Playing is natural and universal. It is the space we use to develop our potential. It is where children learn to control what they couldn't handle before, it is a creative experience in which their inner world, their own subjectivity is projected, it is a basic way of life. Playing helps us develop, it makes us feel omnipotent, gives us great pleasure and satisfaction, it surprises us, it is where we learn to trust ourselves, where we develop our self esteem.

Unfortunately, some of the spontaneity of childhood fades away in adulthood. We get too taken up by, as The Little Prince would say, "the adult world". I can think of someone that has not lost that freshness, Argentine painter Milo Lockett. He became famous a few years ago when he won ArteBA's most important prize. Everyone in Argentina has heard of him, and his works are purchased massively. He lives in the province of Chaco, he paints images of children, women, men and animals the same way a 4-5 year old would. His style, critics say, fits the category of "art brut". Milo has taught himself the skill, he learned to paint in childhood, he was passionate about it. His art is uncontaminated by artistic conventions, his work is spontaneous and his images, simple. Milo defines himself as an adult that never stopped being a child. I think Milo's case illustrates what childhood is and how it often continues, creatively, later on in life. Perhaps it is this that drives the masses to consume his work.

Happy Children's Day to your kids and to your inner child!

Post by: Valeria Mendez Canas

Seguí

Jardín Tropical


Antonio Seguí says he got interested in painting when he was 8 years old. He lived in Villa Allende, Córdoba, Argentina, in a rural area in the mountains. It was the 40's and there wasn't much going on in his town.
He grew up with his parents, sister, twin brothers and grandmother who was the one that urged him to pursue a career in art.
When he turned 18, his grandmother became his sponsor. With the money he got from her, he traveled to Paris to study but he wasn't a steady student in any academy, he only took courses on the topics of his interest and visited a lot of museums to learn.

When his grandmother, Ana, passed away, he quickly became an adult and decided that he was going to be an artist and he was going to live from his art work. He started traveling through Latin America and producing art and participating in exhibitions. He had a talent for connecting with other people, artists of all sorts and intellectuals. He set up his own workshop in the 60's in Paris and became famous by age 30.

What is most representative of Segui's work, a hallmark of his creations that helps us identify him, is a little country man with a black hat on his head that he often draws. He says he paints that little man all the time because it reminds him of his childhood in Cordoba. He uses the little man's figure in different ways, because, of course, he has evolved with him, so you see him in varied subject matters.

Women didn't use to be out in the streets so much back in those times, they were expected to be at home, with the family, that’s why he rarely paints them. He paints little men, preoccupied, minding their own business, staying in their own way, showing little concern for others. Antonio Seguí has never seen his grandfathers nor his father without a hat.

Seguí is 77 years old now, and works every day, from 7 am, even the weekends. What drives him to do that? 7 am is the time his little men in a hat wake up and come out for a walk on the streets of fragmented chaos and alienation, the same chaos he felt as a child, the same feeling he wonders about today. Those little men, he says, will help him paint his perfect picture. He feels that this has not yet happened for him, which is his reason to work and to hope everyday.

Check out his work at Mamba.

xx

Learn more about Seguí: Una charla con I. Schuliaquer. Ed. Capital Intelectual.

Post by: Valeria Mendez Cañas

Gustavo

Gustavo Santaolalla

"No city is like Buenos Aires" is the expression Gustavo Santaolalla uses to refer to our hometown.

I didn't know much about Gustavo Santaolalla until he won his first Oscar for "Original Soundtrack" for the film Brokeback Mountain. It was then that I became more curious and started to look into his work. We are from different generations and although Santaolalla has repeatedly said that he has two loves - Rock 'n' Roll and Latin Culture, his music was at first very influenced by Argentine "folk". Perhaps that explains why I was never going to listen to it... because as a teenager, I found it was "uncool".

His electrotango band "Bajo Fondo" however, got me interested in the way he had integrated his "loves" into his music introducing technology to make tango sound different, to bring it closer to other generations. I thought his was a unique idea.

Today, I read that he was from a neighborhood called "Ciudad Jardín". A very small and humble town in the Western section of the greater Buenos Aires area. And, though I still don't know that much about him, this article made me think about his dreams. There is a long way between Ciudad Jardin and Hollywood, California, to name a place he made it to. I can assure you this cause I know how far Ciudad Jardín is, even from Buenos Aires city.

He mentioned in this article that the streets in his hometown were made out of dirt and that services were very limited. He remembers coming to the city was a great, long, and exciting trip and that a common expression in his neighborhood was "I am going to the capital", meaning the city of Buenos Aires. The distance he had to travel and the means of transportation he used to get to town were, at that time, far from convenient and it was a long trip indeed, but he remembers that every time that he arrived he thought: "this is everything they say about a great city, so many avenues! so many different people!"

I see his trip to the city as a metaphor for his later achievements. The trip was probably a little complicated and long, yes, but, in his head he knew the way and in his heart he had passion. He knew, also, how to let himself be surprised and how to surprise others with the ingenuity (the same ingenuity with which he discovered the city) that of the child that lives inside of him.

For your music and talent, thank you Mr. Santaolalla!

Photo:7dias
Post by: Valeria Peimer

Palermo Exhibition

Don't miss James Joyce by Ana Lía Werthein at Dain Usina Cultural, you'll like it!




















I found out about this exhibition thanks to the kindness of one of our readers (we love our readers!) who sent us an email telling us that we should check it out. So I did!

The exhibition curated by Rodrigo Alonso, includes several of Ana Lía's works inspired by Joyce. Just as Joyce used all the literary resources available to him in his work, Ana Lía uses a rich repertoire of techniques including drawing, graphics, paint, manuscripts and watercolor painting in her exploration of Joyce, sharing with us her sensitive encounter with his universe via paintings, objects, sculptures, photography and mixed techniques.
























The artist who lives and works in Buenos Aires is also a psychoanalist.



From Tues. to Sun. from 10 - 21 hrs. Thames and Nicaragua St., Palermo.

Mirage

A photography exhibition at Centro Cultural Recoleta really caught my eye today. It is Marino Santa Maria's, "Mirage: Permanence vs. Ephemeral".

Santa Maria plays with images and mirrors. His pictures employ mirrors to show you an image that is different than the one that should be reflected in the mirror. He is a good analyst of what we call reality. He plays with meaning and has a special ability to turn complex thoughts into something tangible and beautiful. I feel that throughout his work, he is saying "I know what you expect to see, but instead, I'll show you something else", what effect does that have on you? He distorts your perception and wakes up your curiosity.

I hope that you can see this exhibition. Take some time to view the pictures and take the title of the exhibition into consideration as well. Santa Maria's concepts of permanence and change are a nice metaphor for life. Mirrors can show you still images or movement. As in life, some things are always the same while others change very rapidly.

Some of the questions that rise are: How do we react to change? what is permanent and what is ephemeral? how do we react to things and events when they are different than we expect?



















Have a nice weekend! xx

Current Exhibition

When we were writing this post I remembered that I had a book I got at Zurbarán's Art Hotel, with all the great Argentinian Artists, so I looked for it, and there it was! Here are two images where you can see a little of Figari's work. Of course, one has to stand in front of the work of art, but sadly I don't own one of his paintings.


Pedro Figari's work is on exhibition at Zurbarán Art Gallery (Av. Alvear 1658, Buenos Aires) until June 30. That's tomorrow! His name is very representative of South American art.
He was a Uruguayan lawyer and legislator that reinvented himself and became an artist. He also loved writing, journalism and philosophy.
It took him a year to start making a living out of his art work. He was 60 years old. He moved to Buenos Aires to pursue his passion, chose the best art gallery of the time to show his work and also made himself well liked in Paris. In fact, his first painting was purchased by a Parisian man who was doing business here at the time.
It was the end of the 1920's. Argentina was a very rich and powerful country back then. The Argentinian elite liked to purchase art from Europe mainly but the works of Fernando Fader, Cesáreo Bernaldo de Quiros and Pedro Figari were also favorites.
Mr. Figari's work shows the tradition, simplicity and roots of Uruguay by depicting candombes (a black slaves' dance), images of old Montevideo, Ombu trees and peasants.
We are firm believers that a clear objective, a strong will and enjoying what you do will get you were you want to be and think that Mr. Figari is a good example of that.

Paris in Buenos Aires

The French Embassy (first photo) and the Ministry of Culture of the Government of Buenos Aires got together with the idea of culturally linking Paris to Buenos Aires and Buenos Aires to Paris. This is how they came up with Tandem Buenos Aires-Paris 2011. Up until June 26 we can enjoy French culture at it's best.

The program will mainly take place at the Theater and Cultural Center General San Martin, but also in other government- run venues.

The offer of activities is very broad, going from scenic Arts: theater, circus, puppets, dance; visual arts: video art, photography, street art, movies; music: classical, jazz and rock 'n roll (very funny how the French dance to it!) and literature. Several prestigious French theater directors are participating as well as the Theatre du Rond Point which is excellent.

In the fall, Argentina artists will be arriving to Paris to unfold our culture there.

Kurt Vonnegut once said "I wanted all things to seem to make some sense,
So we could all be happy, yes, instead of tense. And I made up lies, so
they all fit nice, and I made this sad world a paradise"

Doesn't that quote make you smile? it comes from Literature. We feel that art, in any of its forms, is intended to make your life better, that is why we hope you can experience at least, a bit of Tandem 2011.

Ludmila Plagiero

Photo by Raul Bolivar Seguel, Chilean photographer based in Paris.


Argentinian ballet dancer, Ludmila Plagiero is an example of a dream
well achieved.

If you are stuck in Buenos Aires like thousands of other people, unable
to get on a plane and fly cause the airports are a mess due to volcanic
ash activity, we suggest you get someone to drive you down to La Plata's
National Theater to see Ludmila star in the ballet "Sleeping Beauty".

Like many well known Argentinian ballet stars, Ludmila studied ballet
at the Institute of Arts of the Colon Theater. She had only taken six
months of ballet classes when she auditioned. She says luck had a
lot to do with her success, but we think she underestimates her
talent. When she finished her studies at the Institute of Arts, she
moved to Santiago de Chile to continue with Ballet there.

From Chile she started making choices. She won a contest that was the
ticket to an audition in the American Ballet Theater, where she was hired
for a year, but her true dream was to work in Europe. A friend of hers called
to invite her to audition in L'Ópera de Paris which generally gives starring
roles to ballerinas that have attended their school since childhood and have
dealt with it's bureaucracy . Many people told Ludmila that chances were little
of her making it in Paris, and that she should stick to the more "realistic"
options.

Ludmila figured she had nothing to loose, nobody new her in Paris and she already had a job. She figured she just had to keep calm while she was auditioning and give the best she had to give. Ludmila broke her own expectations and became a principal figure in L'Ópera de Paris. She knew her choice was risky (or so everyone told her) but it didn't matter to her because she was following her dream. Ludmila says all of her decisions "came from her heart" and that her key is "to work hard and to never stop dreaming".

We hope you can make it to Sleeping Beauty! we are sure you will be delighted by her performance tonight or on Friday. Enjoy! 

Borges

As most Argentinian icons - Evita Perón, El Che, Perón himself, Gardel, Maradona, etc., Borges is also a controversial icon. Today, 25 years have passed since he died. Admired and loved by some people in Argentina and not so much by others, there is no question that international renown Borges was the greatest Argentinian writer in history.

“Si pudiéramos comprender una sola flor sabríamos quiénes somos y qué es el mundo”

"If we could understand one single flower, we would know who we are and what the world is"

- Jorge Luis Borges


Photo: emol

we love Coke

Pop Coca-Cola at the law school of Buenos Aires University. (Facultad de derecho)

happy weekend!

“Baiser de l’Hotel de Ville” from 1950.

An exhibition of 137 original pictures by the French photographer Robert Doisneau is taking place at Centro Cultural Recoleta, Buenos Aires, curated by Agnès de Gouvion Saint-Cyr.

The exhibition, called "Simply Doisneau" is simply fantastic!

If you're around this weekend, this is a good plan.

Enjoy! xx

Current Exhibition

Emilio Pettoruti, Harlequin Portrait, oil on canvas.


Emilio Pettoriti is one of my favorite Argentinian artists. I first came in contact with his work at a friend's house who had started collecting some of his paintings. The painting I set my eyes on was one of his famous "Harlequins", it was very small, yet captivating. I came across another "Harlequin" at an auction house a few years back, and again, I was astounded.

What makes Pettoruti's work so unique? You should see for yourself. The Museum of Latin American Art (MALBA) is holding an exhibition of his work dating from 1914 to 1949. The curatorial work done by Patricia M. Artundo is excellent, she keeps you wondering and also answers questions regarding his work.

As it happens with some great artists, what has made Pettoruti stand out was his ability to research and experiment the technique of the Italian masters from an active point of view, extracting what he considered valuable and applying it to his work in his own way instead of being a passive student.

The curator says, and I agree, that Pettoruti's work is of such great level because he used compostion, light, color, intensity, shade, tone and definition of tonal keys to respond to different problems or subject matters while introducing other variables that created ambiguitity, something he loved to play with. He saw ambiguity in surface vs. deph, movement vs. static; stability vs. instability.

If you're around, don't miss the exhibition! and tell us if you liked it!

Note: I've always been curious about art. I studied art with Cristina Santander, toured a lot of art galleries and exhibitions with her and Marta Belmes and I've been lucky to meet a lot of local artisits and gallerists and continue to learn abour art, something I love!
-Vale

to do

I saw this painting the other day when a friend and I went to Puro Diseño and it made me think about those times when we have to make a choice that involves a bit of risk. Haven't we all done this? in love, work, etc. Isn't it great? Even those times when it does not work out, it's always best to try. The biggest risk is taking no risk.
Someone long ago said that glory comes from daring to begin. It's a good feeling to just dive into something new. That's how we learn and evolve. No?
Stay curious! xx

arteba

A work of art is such because it is beautiful in a way that needs no words, no explanations.

If you've never been to arteba, it's worth a visit. Some say that it's a bit like going on a little trip to Saks when there is a sale, there are many works on display, noise and many people. But, in my opinion, it's a great program and it does have the advantage of having everything in one place so if you are just visiting Buenos Aires or if you're not familiar with the art galleries and artists spread widely throughout the city, you are likely to enjoy a fun experience at arteba, just like you would at any other art fair in the world.

Arteba is brief and only takes place once a year, so if you missed it (it ends today) no worries. You can always visit next year, or, if you're not here during the fair, contact us. We'll be happy to recommend nice galleries, arrange meetings with some of our fave Argentine artists and take you to their ateliers where there is silence - sometimes a desirable condition to fully appreciate a work of art.


Photos: "Roto" by Belen Romero Gunset.
I wonder if her second last name has to do with her creative - destructive instinct? lol. No... seriously this was one of my favorite works this year: girl that breaks everything and makes a beautiful mess.

Pure Design

"Beer Table" at Sabrina Merayo Nuñez

Pet Furniture

Colorful retro chairs at Casa FAD.

Pure Design Fair is one of many interesting events taking place in BA during the month of May. It is one of the most important Design Fairs in Latin America. Here, new designers are discovered, new design products launched, trends established, and many design objects marketed.

This year, the fair has been structured in five different areas. Two of them are devoted to the environment and its care. In the "Pure Green" area there are works of designers that used organic raw materials and processes. The "Museum and Sustainable Store" features sustainable objects as well. The curators' idea is that designers and consumers should be more environmentally conscious. "The Art Walk" features colorful works of art from local,upcoming artists. "The Selection" features the work of the designers that are considered the best by the Fair's jury. "Prizes" will show the work of the winners in different categories.

If you are looking for design objects such as unique pieces of furniture, lighting, hand painted objects, toys, pillows, notebooks, a bed for your pet, clothes, jewelry, pictures, pottery, accessories, hats, sweaters, bags, belts,etc., Pure Design Fair is the place to go to. This year's topic is color so everything is colorful and lively.

You can visit Pure Design Fair til May 25 from 1 to 10 pm. at "La Rural", Pabellon Amarillo.

Babel's Book Tower

As mentioned in a previous post, Buenos Aires has been named "Book
Capital of the World" for 2011. To honour such a tittle, the government
of the city of Buenos Aires is sponsoring an art installation you shouldn't
miss: "Babel's Book Tower" by Marta Minujin.

Marta is a famous, worldwide pop artist that has brought to life many "crazy"
ideas. She, for example, created a Book Pantheon, in the begining of Argentine Democracy. The installation was located in the middle of the city, it's dimensions were incredible. It was constructed by all the books that were prohibited during the Argentine military dictatorship which had somehow been secretly kept by book agents and sellers.

Minujin's Babel's Book Tower illustrates the incapacity people sometimes have when it comes to understanding each other. The installation is located in Plaza San Martin. It is a 7 story high metal structure that has 30.000 books on it's
inside. The books are protected by plastic to avoid weather damage and come
from 54 different countries.

The Tower can be visited until May 28th. You can also visit the inside of the tower. Once inside, you'll hear the word "book" in every language. At the end of your visit you'll get a copy of Jorge Luis Borge's story "Babel's Library".

Art installations are like life itself, ephemeral, that's why it's
good to see them when they are taking place, to be a part of them.

Have a fun weekend! xx

Music and Nature

Photographed: Maria Andreeva (Russia)


Children and Adolescents Choirs and Orchestras Festival 2011
(Second Edition).

If you love music and nature, an unforgettable experience awaits in the Province of Misiones, Argentina. The reasons are many: this is an ideal time to visit the Iguazú falls: the weather will be glorious, the place, unbelievable; the purpose: magical.

From May 23 to 28, the Ministry of Culture, Education, Science and Technology of the Province of Misiones, will be offering a one of a kind cultural event: the Second Edition of Children and Adolescents Choirs and Orquestras Festival. Organized by Andrea Merenzon.

A total of 700 children and adolescents will be meeting to talk in one single language: the language of music, their passion, their love. They will be coming from 18 countries as different as Germany, Peru, China, Australia, South Africa, Brazil and Russia amongst others. Daily rehearsals will take place under the direction of world- famous directors. The children will perform classical and traditional music from their countries of origin.

Individual and group performances will take place in various prestigious hotels in the area (in both sides of the falls, Argentinian and Brazilian).

In the individual performances, you will have the pleasure of enjoying not only the music but the virtuosity of the young musicians. In the group performances you will be able to evaluate the amount of work, effort and coordination put together by all of the participants. No tickets are required, you are free to attend any performance you please.

Music will bring everyone together at the closing of the Festival which will take place at the gardens of the Sheraton Hotel where the beauty of symphonic music will meet the beauty of the stage: Iguazu Falls.

Post by: Vale

Buenos Aires Book Fair

Photo by: Jorge Molina (en la piel de la selva)

When Windows was first introduced in the early nineties it caused fascination. It made using computers easier introducing a simpler way of managing different programs. If we used Word, for example, double clicking allowed us to perform different commands, open more than one document at a time and work on other programs as well, be that Excell, Power Point, or any other of the programs that we are all familiar with today. Then, when it was time to shut our computer down, closing all the opened "Windows" requiered us to simply click on the "x". With the development of the internet we were able to apply a similar concept as Windows while surfing: click on the link, then in another and so on.

Although both Windows and the internet created grounds that allowed us to work comfortably from one single place and communicate faster and more effectively, they also made us go, in my opinion, bi-dimensional. The fact that we no longer have to go through the trouble of, for example, visiting a library or book shop to look for content has made us disregard the notion of all all the work that it takes to create, put together and display information in a given field - sometimes forgetting even what it's like to feel a real book, the paper, the art in the cover. Remember CD's? I know, that was a long time ago.

If you are curious and are in Buenos Aires, you have a chance to immerse yourslef in a world of books.

The Book Fair takes place every fall. Book publishers gather to present their book collections and launch new books and publications. This year, the Fair has even more relevance since Buenos Aires has been chosen by by the United Nations Educational, Scientific and Cultural Organization as the World's Book Capital of 2011.

The Book Fair is also a good start to undesrtand why Buenos Aires is famed for it's cultural production.

It offers conferences and discussion panels in various subjects: Economics, Politics, Law, Psychology, Ecology, Management, to name a few.

This year it is has invited Mario Varga Llosa, Rosa Montero, Jorge Edwards and Wilbur Smith amongst many and various prestigious writers and thinkers.

It hosts music, choir and ballet shows as well as workshops on Textile Art from the Andes (Arte textil andino), Literature, Story Telling, Opera and Poetry readings. A cultural feast you shouldn't miss.

Where: La Rural Exhibition Center, Ave. Santa Fe and Sarmiento, Palermo, Bs As.
When: Til May 9, 2011.

Post by: Valeria Mendez Cañas.

Finding Balance

Photographed: Raquel Sosa (dance teacher)

Have you ever tried doing the splits, a complex move on a balance beam, skating or any other sport that requires you to find your balance?

Doing the splits requires a series of achievements: the desire to do it, the willingness to take the challenge, an understanding of the mechanics of it, and a series of prior achievements: training, posture, stretching, etc. Once you are down there, with your legs straight, your weight balanced and your arms harmoniously placed, you must smile. Sometimes, you manage it all, except for the smile. The pain of the effort is such that you find smiling too hard, so you may not smile. There are times where you just simply manage it all, get used to the pain and smile. If you let go, it stops hurting and you smile because of what you just managed to do.

I once read an interview of Paloma Herrera, NYC Ballet's first ballerina. She was asked what it took to be in such a role. She replied it involved not only loving what you do and being good technically but also being able to display your smile gracefully; to know all your parts and also to let your soul show through.

I like to use the splits as a metaphor for finding balance in life. I know a lot of people that say they haven't found balance in their life cause although they have achieved many things they wanted, they are not so happy. Many say they have gone through all of what they assumed was expected of them only to realize they are missing a large piece of the puzzle. They have invested too much time doing something they didn't really like, trying to achieve their ideals (often others' ideals) trying to play the "perfect" part in a script, trying to please, sometimes forgetting or leaving aside what they really want. But, are ideals so good when they're not your own? was that part meant to be for them? and, what is "perfect", anyways?

Three of my favorite concepts in Psychology are balance, ideals and perfection because I find they are some of the most intriguing of the human mind: the more you pursue them, the more demanding you become with yourself, sometimes leaving little room for amusement or pleasure.

When searching for balance, remember that balance is relative. Figure out what you really want and follow your dreams. It's not to late, you can start now. Whatever it is that you like, you will do that with passion and it will make you and those around you happy. By stepping out of your comfort zone you will grow as a person and you will inspire others. You will make mistakes. If you let them into your life, they will enrich and soften your own self. If you don't, you will begin to stiffen. Learn from your mistakes. Laugh at them. Learn from success too, there is much to learn from things done right.

In the process of mastering what you set yourself after in life, remember that there are various aspects to it: the intellectual, the physical skills, the drive, the mechanics of it and, above all, the desire. Be flexible in uderstanding that balance is relative, and start doing what you really want today. It's only up to you to find yourself doing the splits with a smile on your face!

Post by : Valeria Mendez Cañas