Showing posts with label Malba. Show all posts
Showing posts with label Malba. Show all posts

Monday, October 24, 2011

Film @ Malba


















Malba Museum, Buenos Aires.


A film is an art form based on the present. It’s also an experience that we are unable to process 100%. A good film has the virtue of making us think. It contains stories, poetry and images that we can often relate to. This is what the critics that organize the Simultaneous Film Festival 4 + 1 say.

The idea of this festival is original. The project consists of presenting the same films simultaneously, in different countries: Argentina, Brazil, Colombia, Mexico and Spain. The idea is to approach the audience with these amateur films that have been awarded but have not had enough diffusion.

For the curious minds interested in good films- regardless of their popularity - head to Malba from October 26th to 30th.

Wednesday, June 1, 2011

Current Exhibition






















Emilio Pettoruti, Harlequin Portrait, oil on canvas.


Emilio Pettoriti is one of my favorite Argentinian artists. I first came in contact with his work at a friend's house who had started collecting some of his paintings. The painting I set my eyes on was one of his famous "Harlequins", it was very small, yet captivating. I came across another "Harlequin" at an auction house a few years back, and again, I was astounded.

What makes Pettoruti's work so unique? You should see for yourself. The Museum of Latin American Art (MALBA) is holding an exhibition of his work dating from 1914 to 1949. The curatorial work done by Patricia M. Artundo is excellent, she keeps you wondering and also answers questions regarding his work.

As it happens with some great artists, what has made Pettoruti stand out was his ability to research and experiment the technique of the Italian masters from an active point of view, extracting what he considered valuable and applying it to his work in his own way instead of being a passive student.

The curator says, and I agree, that Pettoruti's work is of such great level because he used compostion, light, color, intensity, shade, tone and definition of tonal keys to respond to different problems or subject matters while introducing other variables that created ambiguitity, something he loved to play with. He saw ambiguity in surface vs. deph, movement vs. static; stability vs. instability.

If you're around, don't miss the exhibition! and tell us if you liked it!

Note: I've always been curious about art. I studied art with Cristina Santander, toured a lot of art galleries and exhibitions with her and Marta Belmes and I've been lucky to meet a lot of local artisits and gallerists and continue to learn abour art, something I love!
-Vale

Sunday, January 17, 2010

Summer in the city

















Jardín Botánico, Buenos Aires.


Buenos Aires is one of the few cities in the world, aside from Paris and Madrid, where half the people take a month or two off from work. This turns the city which is usually chaotic and loud, into a calm and glorious sauna.

It is steaming hot and attractive like magic.

During January and February the city is completely yours. No crowds, no lines. You can cruise through BA without the annoying traffic, show up at your favorite restaurants with no reservations, go to Malba museum and have a delightful lunch, go to the gardens of Duhau for a chilled rosé, go shopping, grab a bike and glide through the green parks of Palermo, hang out by the pool, read, people-watch at a sidewalk cafe. The city is clean, quiet, uneventful, and beautiful.