Showing posts with label artists. Show all posts
Showing posts with label artists. Show all posts

Wednesday, June 5, 2013

Botero


Here's a nice plan, if you like Botero.

The Fine Arts Museum has inaugurated the exhibition “Botero, drawings on canvas and paper”, a display of 50 drawings from his personal collection.

The exhibition is divided into five "chapters": the first is devoted to Latin American life, the source of inspiration for Botero. Botero portrays the life of the town and its characters, costumes, architecture, habits and rituals. The second "chapter" focuses on the theme of violence and bullfighting. The third "chapter" is dedicated to the circus. The fourth to large-scale works, with many still lives. And the fifth is devoted to music.

Enjoy! 
M

National Museum of Fine Arts: Avenida del Libertador 1473, Buenos Aires.
May 21 to June 30, 2013

Friday, March 30, 2012

BJöRJ






























Welcome to Buenos Aires, Björk!

The artist will be presenting her interdisciplinary project "Biophilia Residency" in two intimate shows, previous to her presentation in Personal Pop Festival.
CENTRO MUNICIPAL DE EXPOSICIONES. Eduardo J. Couture, Recoleta
April 6, 9, 12, 15

Get your tickets here

Tuesday, November 8, 2011

And you are..?

















In this photo: Charly García


The other day I found myself buying the biography of Miley Cyrus for my 9 year old daughter. When reading through it, I found this part interesting: "I'm left handed by birth, and although so is my father, he is absolutely convinced that I am right-handed. I think it's because he’s always said that lefties have to 'learn the world upside down' and more than once he has had a hard time finding a left-handed guitar. Anyway, Dad made me use my right hand and it worked. For the rest of the things in life, I'm left handed, but I write with the right."

This got me thinking cause I am also left handed and I often encounter obstacles that remind me of that. I write with my left hand, use my right hand to play golf, right foot to kick a ball and I’m not too sure what I use to play the piano but the fact is that I have too much strength in my left hand which requires special attention when it comes to playing the piano. In dance class, the teacher always says I have to first stretch the right leg or right arm. When I there’s a queue I stand on the left and always end up watching everyone pass before me... same thing in the underground.

If you're right handed, you use the left hemisphere in the process of action. If you're a lefty you use the right hemisphere. The left hemisphere is the center of operations relating to language, writing, logic and mathematics. The right hemisphere is associated with music, art, creativity, spatial perception, genius, imagination and emotional experiences.

Leonardo Da Vinci, Napoleon Bonaparte, Marilyn Monroe, Pablo Picasso, Woody Allen, Bill Clinton, Barack Obama and Nicole Kidman, to name a few, are all lefties.

Argentinian rock star, Charly Garcia once said, "Had I been born thousands of years ago, they would have thrown rocks at me cause I'm a lefty and I have a half-white mustache ...I just learned to use the flaws as virtues;” Seriously, there is nothing wrong with being left-handed.

David Bowie commented, "There was a time when left-handedness was frowned upon in Great Britain. And that made me isolate from the others. So I think that has been one of the signs with which I will evaluate my journey through life. 'Okay, mother fu… errs I'm not like you, so I will try to be better than you "

Having the right hemisphere more developed does make us different… That’s a good thing. To be different, I mean.


Post by: Valeria Mendez Cañás

Tuesday, August 30, 2011

Exhibition



























Eduardo Stupía's work is based on the spectators’ fantasy in relation to his images. Also known as "the artist that paints poetry" Stupía's work fluctuates from a poetic level to a materialistic one.

Born in Buenos Aires in 1951, Stupía's first works were comic strips. It was during the 80's that he ventured into new lands and started to paint pale landscapes, architecture, and weird objects. Later on, his paintings evolved - he took drawing to a new level, incorporated ink, texture, and color, etc. creating more complex, ambiguous, risky and beautiful images.

For over 30 years, the artist has explored new terrains creating fascinating images where disorder and instability often projected in his work, exude poetry. Perhaps it is because of his mental activity - he is also a novel and poetry translator, that his work speaks to us.



















What is interesting about Stupía’s Collages - "Cortes de Inventario" (Stock clippings) on view at CCR til September 25, is that we are standing in front of various images which can be perceived as bits or as a whole. It's up to us: we can focus on the entire work, we can focus on each part of it or we can focus on just one part. We are as free as Eduardo.



















CCR: Junín 1930 Buenos Aires

Wednesday, August 17, 2011

dia del niño





















Paintng by Milo Lockett


Argentina celebrates a peculiar holiday this coming Sunday. We call it "Children's day" and I thought it would be a good opportunity to talk about childhood.

Childhood is the stage where it all begins. There is a lot of potential in that stage that develops over time. Much has been said about raising children but I think it has to do, foremost, with having a loving/positive relationship with them and your partner. You have to be encouraging and respectful at the same time. That simple, that hard.

To me, teaching/helping children to become INDEPENDENT is key. Once they achieve that at home and feel confident about themselves they will be able to use that confidence as a resource in life. Independence should not be imposed, it should be taught as something to conquer.

When I think of childhood, I think of these words: play, fun, games, friends, treats, toys, swimming, affection, sports, feelings, proximity, assurance, trust, simplicity, creation, fights, hardships, learning, laughter. Francoise Dolto, a famous French psychoanalyst, once said in her book The Cause of Children: "The sources of knowledge are found in children. They are metaphysical. They are beings that ask themselves true questions. As metaphysicists, they look for answers."

In Childhood, playing is the way to independence, a way to find one's own answers. Playing is natural and universal. It is the space we use to develop our potential. It is where children learn to control what they couldn't handle before, it is a creative experience in which their inner world, their own subjectivity is projected, it is a basic way of life. Playing helps us develop, it makes us feel omnipotent, gives us great pleasure and satisfaction, it surprises us, it is where we learn to trust ourselves, where we develop our self esteem.

Unfortunately, some of the spontaneity of childhood fades away in adulthood. We get too taken up by, as The Little Prince would say, "the adult world". I can think of someone that has not lost that freshness, Argentine painter Milo Lockett. He became famous a few years ago when he won ArteBA's most important prize. Everyone in Argentina has heard of him, and his works are purchased massively. He lives in the province of Chaco, he paints images of children, women, men and animals the same way a 4-5 year old would. His style, critics say, fits the category of "art brut". Milo has taught himself the skill, he learned to paint in childhood, he was passionate about it. His art is uncontaminated by artistic conventions, his work is spontaneous and his images, simple. Milo defines himself as an adult that never stopped being a child. I think Milo's case illustrates what childhood is and how it often continues, creatively, later on in life. Perhaps it is this that drives the masses to consume his work.

Happy Children's Day to your kids and to your inner child!

Post by: Valeria Mendez Canas

Wednesday, June 29, 2011

Current Exhibition

































When we were writing this post I remembered that I had a book I got at Zurbarán's Art Hotel, with all the great Argentinian Artists, so I looked for it, and there it was! Here are two images where you can see a little of Figari's work. Of course, one has to stand in front of the work of art, but sadly I don't own one of his paintings.


Pedro Figari's work is on exhibition at Zurbarán Art Gallery (Av. Alvear 1658, Buenos Aires) until June 30. That's tomorrow! His name is very representative of South American art.
He was a Uruguayan lawyer and legislator that reinvented himself and became an artist. He also loved writing, journalism and philosophy.
It took him a year to start making a living out of his art work. He was 60 years old. He moved to Buenos Aires to pursue his passion, chose the best art gallery of the time to show his work and also made himself well liked in Paris. In fact, his first painting was purchased by a Parisian man who was doing business here at the time.
It was the end of the 1920's. Argentina was a very rich and powerful country back then. The Argentinian elite liked to purchase art from Europe mainly but the works of Fernando Fader, Cesáreo Bernaldo de Quiros and Pedro Figari were also favorites.
Mr. Figari's work shows the tradition, simplicity and roots of Uruguay by depicting candombes (a black slaves' dance), images of old Montevideo, Ombu trees and peasants.
We are firm believers that a clear objective, a strong will and enjoying what you do will get you were you want to be and think that Mr. Figari is a good example of that.