sunset

Contrary to popular belief, Punta del Este is so beautiful during spring time. Of course, although just a hop away from Buenos Aires, the weather in Punta is sometimes drastically different than here. Like most beach towns, you have that sea-breeze and freshness that you don't have in the city which is much warmer and less windy. Yes. Sometimes, the wind in Punta is a pain, but you can still do pretty much anything you want...

So I thought I’d share with you what I like to do when it's not summer and I can't go to the beach and be a beach bum all day. I consider myself a beach person. I’ve always loved the beach. My mum lived in Hawaii for a very long time, and to me, that was bliss. Just going there and staying with her for months at a time. That is when I started to surf. I became one of "them" lol.

Anyway, when it's cold in Punta, I like to SLEEP. This time around, I was asked: "how can you sleep so much". I can always sleep "much" but when I'm by the ocean and all you can hear is the roaring, hypnotizing sound of the waves and birds, how can you possibly not sleep so much? So I'll sleep like 10 hours or 12. I get up late and I have a good breakfast (something I don't do in ba) I’ll go for a morning walk on the beach or play tennis (which for a person who is not so good, like me, demands an enormous effort - cause of the wind, I mean). Then, a nice home-cooked lunch or maybe go to a yummy place such as Fasano (which opens all year round), La Huella or the Yatch Club, which is also fun. Usually, if we do go out for lunch, we'll run into friends. You would be amazed how many people go there all year round. Years ago, this was a summer destination only (from December to March). That has changed.

After lunch, I'll read a book and listen to music, chill for a while. In the afternoon I like to go for a swim (indoor pool, I'm not crazy, but you do see people going for a swim at the beach). How do they do it? I'll swim for about half an hour, relax, and maybe swim a little more. Other afternoon options are riding horses, biking, visiting friends, spa treatments or visiting the small art galleries and shops. There is this one book store (it's in the peninsula, actually) that I love. It's called El Virrey. I can spend hours in there. Boutiques are also nice to visit. I've seen some new ones popping up lately and they have some very cool stuff. Wool sweaters in Uruguay are the best.

At night, we’ll have friends over for dinner or go out. This time we did a little bit of everything cause some friends from Villa la Angostura were in Punta also, so it was nice to have them and other friends over for dinner and drinks. Spending time with friends is my favorite part.

Hope you have a chance to visit Punta whether it’s during the summer, or anytime. It’s a truly beautiful town with a special energy that will make you feel GOOD.

Do you often take mini-breaks? what do you like to do? what relaxes you?



Photo: Punta sunset by Mich

So, where's the wine?

Exquisite restaurants in Buenos Aires are plentiful and though beef is the most popular dish, the city has been diversifying it's culinary options for years. With new restaurants popping up everywhere, one has a hard time deciding where to go. Some restaurants are hip, some are classics, some are innovative, romantic, exotic, etc. so, in the end it's all about your mood for that day.

Whether it’s Italian, Mediterranean, Peruvian, Vietnamese or French that you fancy, there is a place to satisfy your whims. But, every now and then, you may also ask yourself: where's the wine?

Many restaurants in Buenos Aires have a short, basic wine list as they are given a selection of wines by specific bodegas so that they "promote" them to their customers. This way, people get to taste and learn about these wines. For the bodegas, having their products in restaurants is indeed a good way for their wines to get out there and it also works well for restaurants, as they have a good selection of wines for their customers provided by the bodegas at a good price (if not for free).

However, some restaurants take their wine selection quite seriously and make a constant effort to actively search for the best wines available in Argentina and the world to include in their cavas.

Below are some examples that we think you'll enjoy:


Sottovoce
Sober and plain atmosphere. An interesting variety of pasta and the best wines to go with your meal.
Address: Libertador 1098, Recoleta, Buenos Aires..

El Mirasol
Classic, with a history of satisfying even the most demanding palates. Their wine list is long and fantastic. If you like Malbec, Catena Zapata Estiba Reservada (1996) is possibly the best wine you'll ever try! It's vintage, so obviously the price is on the high side. Our favorite waiter is: Franklin. Hi Franklin!
Address: Posadas 1032, Recoleta,. Buenos Aires.

Danzon
Modern industrial wine bar with flowers and candles everywhere; Danzón was the first winery in the city. Possibly one of the best wine lists in all of Buenos Aires.
Address: Libertad 1161, Recoleta, Buenos Aires.

Oviedo
Delicious food and wine. This place has only one thing in mind and that is to blow your mind- grilled meats, fresh fish, roasted lamb, risotto, among other exquisite preparations here are hard to equal. Their wine list is outstanding. Try the Achaval Ferrer Quimera 2006.
Address: Beruti 2601, Barrio Norte, Buenos Aires.

These recommendations are only a small portion of the many choices awaiting wine lovers in Buenos Aires. Tell us which ones you like or if there are any that you'd like for us to include in our list.

Enjoy

almost spring

Tell me, what is it you plan to do with your one wild and precious life?

Mary Oliver,
The Summer Day


Photo: Kukla

Tomas Nessi

Tomás Nessi, will be giving a piano recital for Mozarteum Argentino, at Teatro Gran Rex on September 21. The program will include works of Frédéric Chopin and Sergei Prokofiev. Tickets are free and can be requested at the theater's box office a few hours before the show.

It's a curious thing the music this Spring brings us. Tomás won the 2009 Biennale Youth Contest, so it's interesting that this year right after watching him, we get to listen to the winner of this year's edition. How lucky!

Tomas' resume is long for his age: 20. He started his formal studies in La Plata, Province of Buenos Aires, at the age of 9 but he first approached piano at 5.

He has given recitals in La Plata, in various concerts halls in the city of Buenos Aires and also throughout different provinces of Argentina.

He has performed solo with the Chamber Orchestra of the City of La Plata, Academic Camerata of the Teatro Argentino de La Plata and Symphony Orchestra of the Argentinian Public Television, under the direction of Roberto Ruiz, Carlos Sampedro, Bernardo Teruggi and Marcelo Zurlo.

In 2004, he won third prize in the First National Contest for Young Players organized by Radio Nacional and Temporada Allegretto in Argentina.

In 2005, he won second prize in the contest "Constructing Peace and Unity", organized by Northlands School and Asociación Música Viva.

In 2006, he got first prize at the "Alberto Ginastera" National Piano Contest, organized by Scala de San Telmo and the International Contemporary Music Encounters Foundation. This allowed him to offer a recital in the International Festival of Contemporary Music directed by composer Alicia Terzian in 2008.

In 2009, he won the Shell-Festivales Musicales Biennale Contest for Young Talents, and later toured some provinces of Argentina and recorded a CD along with the winner of the Singing and Chamber Music categories.

In 2010, he won three scholarships that allowed him to keep expanding his talent: Fondo Nacional de las Artes', Mozarteum Argentino and Instituto Cultural de la Provincia de Buenos Aires.

In 2011, a German Academic Exchange Service granted him a scholarship to continue studying at La Hochschule für Musik und Tanz Köln, Colonia Germany.

We hope you enjoy this program and this musical month in Buenos Aires.

Exhibition: Carlos Paez Vilaro

The works of Uruguayan artist, Carlos Paez Vilaro, are on view at the Museum of Tigre this month.

Paez Vilaro is not just a painter, he has used and related to art in every way he thought imaginable. He has worked on murals, ceramics, sculpting, etching, collage and photography, he has researched Afro-Uruguayan culture and music for years; plays a percussion instrument called tamboril to the beat of "candombe" (popular music in Uruguay that has its roots in Africa), he has written "candombe" lyrics, poems and published several books.

At the age of 6 he got interested in art, he drew pictures he sent to children's art contests in Buenos Aires. Always feeling attracted to Buenos Aires, as a teenager he crossed the river that divides both countries and came to work. He got a job sticking the heads of matches at a factory and lived in a rented room in a hotel for people with low incomes, similar to a "conventillo". There, he discovered his passion for immigrants and the way their cultures mixed with ours. He liked music and dances which he attended in order to draw pictures of the couples in the dance floor.

The way he has lived through art is surprising. He has exchanged his work in order to pay for many of his expenses. Painting is what made him feel like doing things in life, it opened many doors for him: the door to the world and the door to meeting interesting people and making friends.

He took architecture to new limits when he built his iconic paradise in Punta Ballena, Uruguay: "Casa Pueblo", located on a bay, overlooking the sea, made of curvy lines in immaculate white. The idea of "conventillos" inspired his creation of this place. It has a museum, an atelier and a hotel.



















His second version of Casa Pueblo was constructed in Tigre, Buenos Aires, his home in Argentina. He discovered the place by chance while on a walk with his wife on the banks of the river.

Maybe it’s thanks to art that Carlos Paez Vilaro found unimaginable strength that kept his hope alive in the most adverse situation. In 1972, the plane that took his son, Carlitos to a rugby tournament in Santiago de Chile, fell in the Andes mountains. A small group survived 72 days in the snowed peaks of the Andes. Paez Vilaro travelled to Chile along with other relatives to support the search of the plane and possible survivors. When the search officially concluded and there was no more hope left, he continued looking. When relatives began to return to Uruguay, he stayed and continued to hope. People thought he was crazy.



















When he was finally boarding his plane home, he heard the crew talking to the airport Police that had come looking for him. A shepherd had seen two young men in the mountains. Carlos ran to a taxi and told the driver he had no money. The taxi driver placed his wallet on his knee and said: "take what you need". His son was alive: " I had whistled behind the Andes to let Carlitos know I was there, while the moon was looking at me from the sky".



















We hope you have a chance to see the heartfelt work of this artist and to visit Casa Pueblo in Punta del Este, Uruguay.



Post by: Valeria Peimer

Almost perfect

There are certain things that happen every day that prevent our country from being as good as it could be. You would easily notice these things if you visited.

People are always complaining for varied reasons. Protests are a common reaction to some sort of unjust treatment, some injustice. There is a contrast between people that accept and respect rules and those that don't. This is generally a reason for
arguments. In situations where you would expect to get a mature response from a citizen you receive the opposite.

For example, people here like to cut in line (at an airport, bus line, store, bank, etc.). Some will take your parking space even if you were there first. People will even take parking spaces reserved for pregnant women or handicapped individuals. When you stop at a red light or if you’re traveling in public transportation, you often get approached by people claiming to belong to an institution asking you to make a contribution. Sometimes they give a pretty good speech and convince you; even if they don’t, you somehow end up giving them money.

We’ve already covered the issue of disobeying traffic rules. It’s a classic.
Most of the time, you can get away with almost anything. If by some remote chance you do get stopped while doing something wrong when you’re driving, you will either be "invited" to bribe the police officer in order to avoid getting a ticket or get away with some lame excuse.

If you park your car on the street, you will be approached by "cuida coches" (unofficial car keepers) and be told to pay an arbitrary amount of money for a service that you have not requested (the service of looking after your car). Most of us will pay, as we care for our car and don’t want an angry car keeper taking out his anger on it, do we? If you don’t pay, you may find a scratch on your door, usually done with a key, pen or sharp object. Although illegal, no one is there to keep these people from doing this.

A typical way of protesting about an issue is to block streets and freeways (this method is also used by unions and student groups) and to make noise with their "bombos" (a local percussion instrument). Does this attitude solve anything? Do they think about the people that are stuck in the riot? Does it occur to them that these people could be late to work? Protesters would answer: "who cares!" and go on making more noise or, why not, burning a few tires.

This is pretty much a portrait of daily life in Argentina. Why could this be?

When Argentina started out as a nation in the 1800's, our leaders had clear
ideas, they wanted to become a modern, developed nation. Argentina had
a democratic government and democracy allowed an open debate on
important issues in a professional way. Democracy had made everyone more tolerant.

In the 1800's, it was thought that education, hard work and patience were
the way towards developing personally and as a Nation.

In the 1900's the government's capacity to exchange ideas deteriorated throughout all the different governments Argentina had – Conservative, Radical, Peronist, Military. Many leaders chose friendship, family ties and political loyalty instead of merit to fill government jobs. These decisions, among many others, took a toll and hindered the country’s true potential. These decisions drifted Argentines away from their road towards sustainable progress and order and put them on their way towards laziness, chaos and a desire for instant gratification. It is now that matters, and by being clever, we can achieve what we want, even if the means to achieve it it are not entirely right.

We call that "viveza criolla", the unofficial daughter of intelligence, it has
little to do with effort and a lot to do with individualism.

In a mature society that works well, institutions function as they should, jobs are
assigned to the people that are most qualified for them, values exist and
are respected, ideas are put into practice and education is highly valued.

Felix Luna, a famous Argentine historian once said he was unwilling to
write about certain topics in Argentinian history because it made him feel
ashamed. We have many virtues as a country. We are blessed in so many ways.

I wish we would just wake up and change our least appealing features for good.



Post by Valeria Mendez Cañas
Photo: Buenos Aires, 1920.

Roads and Flavors

Next week, people, traditions, places and products from all over Argentina will gather at La Rural to display their products as a way of showing the true meaning of identity.

This year, joining the food fair, we will also find crafts and tourism stands from several provinces.

For five days, food, wine and routes from all regions of Argentina will be in one place.

Hand in hand with more than 400 farmers and craftsmen the whole country will have the opportunity to discover itself. Organized by Fairs & Exhibitions for the seventh consecutive year, Caminos y Sabores (Roads and Flavors) establishes a channel with no intermediaries between the producer and consumer.

Sponsored by the National Institute of Industrial Technology (INTI), Export.Ar Foundation, the National Institute of Agricultural Technology (INTA) and the Organization of the United Nations Food and Agriculture Organization (FAO), Roads and flavors is not just an opportunity to taste typical local products of the country but also a good way to understand the processes of local producers. It’s an invitation to explore a myriad of Argentinian culinary and sensory experiences, where the relationship between producers, environment and community is key in achieving outstanding quality.

Roads and flavors market is an opportunity to buy a wide range of products directly from each province and people of Argentina. The fair is an invitation to learn about the products we consume and how our choice of food can support local economies and small families. The link between producers and consumers acquires a new dynamic and allows closer ties.

Roads and flavors 2011 is simply an appointment with the roots of Argentinian identity, the scope for regional economies and a path to strengthen small producers. There are foods, drinks, crafts and special areas for the promotion of tourist destinations and festivals.

The fair offers a business model that seeks to promote family and local production of each region. Caminos y Sabores wishes to create awareness of the value that small businesses have in all provinces of Argentina. There are no middlemen, so most of the percentage of sales go directly to the artisans and producers.



From 14 to September 18 at La Rural

Iberá Marshlands, Corrientes, Argentina

Spring at Rincón del Socorro


















Little creatures

This week, I had the pleasure of meeting someone from Rincon del Socorro. Thanks to his kindness I've got this little secret to share with you. I'm thinking about going soon, so I'll tell you more once I have been there. For now, I leave you with these gorgeous images and information so that you can also plan on visiting this wildlife paradise at some point.



















There are few regions in Argentina that can compare to the richness and diversity of species that are found in the Esteros del Iberá.

In the last twenty-five years biologists are beginning to understand the importance of this vast fresh-water system to the biological community of Latin America.

Rincón del Socorro is a 12,000-hectare (29,700 acres) former cattle ranch on the edge of the Iberá wetlands in Northeastern Argentina that has been made into a nature reserve. Rincón del Socorro has a small, refined eco-lodge in the ranch.

Meals are predominantly prepared with organic fruit and vegetables, most from their kitchen garden. Meat is all free-range. Fine organic cuisine and the Argentine barbecue tradition as well as grilled vegetables, good Argentine wines, homemade breads and special deserts ensure a pleasant culinary experience at the lodge. When the weather is good, lunch and dinner can be served outdoors.

There is a range of activities dependent on the interest, energy and time of each guest. Rincon del Socorro is ideal horseback riding country and visitors can easily see wildlife; such creatures as carpinchos, freshwater otters, alligators, marsh deer and with a little patience and good luck, one just might see the illusive Maned wolf, howler monkey or the sprocket deer.

I hope you enjoyed learning about this place as much as I did! xx


Special thanks to Estancia Rincon del Socorro for images and information.

men

Photo: Ricardo Darín for Etiqueta Negra


One of the reasons why I like Psychology is that after years of studying it and practicing, you develop this ability to stop, contemplate and start again; to alter reality in a way that is suitable to yourself. I realize not everyone can acquire these skills nor is courageous enough to face his or her own limitations, but what happens when one accepts reality as it comes, without questioning it?

Let's take the concept of manhood, for example, and examine it. Although roles have changed somewhat in Argentina, in the popular imaginary men are taught to act tough, to be like "machos".

Traditionally, boys are educated by their mothers. Although in modern times, fathers are more active when it comes to child care, most fathers continue to be busy working and trying to be successful while most mothers stay home. This shortage of contact between sons and fathers creates an emotional gap between them in which there is perhaps not enough room for bonding, for closeness. This is why, it is in childhood, that boys often develop difficulties in learning what relating to other men is like.

They turn to their mothers with whom they talk, share their problems, their successes and failures, their everyday life. Boys see their father's through their mother's eyes. Boys are taught to "be strong" and to "put up" with things. What later happens when these boys become men is that they want to overcome the pain this has caused them without really dealing with it.

Facing that pain means accepting and talking about their father's failures and also dealing with change.

We like the work of Guillermo Vilaseca, who has thought about some of these issues deeply and has developed a program for men. They meet to think about themselves, their masculine condition and their relationship with the world, their fathers, their sons, women and work.

Men are used to having power, being tough, feeling important, proud and sure of themselves. But things are changing and the world is moving to a more feminine, communicative, empathetic, intuitive style.

Some men are receptive to this change, they understand that it’s not always about power, strength, dominance, etc. Mr. Vilaseca's work, along with various studies in Psychology show that when distances in bonds are shorter, individuals are likely to better off in their relationships.



Post by: Valeria Mendez Cañas
Editor: Mich Cameron

you and i

Good, healthy love feels relaxed and comfortable. This does not mean there will not be differences or arguments. One can argue comfortably because there is respect, and when you are reaching a war zone you realize it is better to stop before you hurt your partner. You both know that it’s not a matter of winning or losing. It’s not a competition.

Communication, as we know, is one of the most important factors in a relationship. Being able to communicate and to pass on to your partner a message without interference is key in a healthy relationship. When there is love between two people who are responsible for their words or their acts, no one is afraid of being misunderstood and communication is clear, even when what is being said may be painful or irritating.

Good communication does not leave doubts or double meanings, and it never tries to get a speculative advantage of the other. Arguments are used in a positive way, arguments are used to build agreements.

In love, the other one is always on the same side of the street, although his or her thinking may be different because caring is what is most important in the relationship. As you see, true love is the one that has gone past the barriers of being in love and the narcissistic period of the relationship.

In love, there is happiness for the other's happiness. His or her own existence produces happiness; this is only possible with people who feel free, sure of themselves, independent and satisfied with their own lives.

People with the capacity to love are generous and thankful. They value their present and don't cry over what they never had or think they should have had. They have a great capacity to learn and a hopeful outlook on life.

In your opinion, what other points make a relationship healthy?


Patricia Faur - Estres conyugal, Ediciones B, Bs. As., 2011.

University of Buenos Aires.

The University of Buenos Aires today.

The University of Buenos Aires (UBA) was created between 1861 and 1873. The founders thought that education, science and technology were the keys to national progress and autonomy. This was the golden era of Argentina. Education was one of the government's top priorities, particularly, elementary school. The government provided free, public, non religious education and adapted school programs with the aim of facilitating
entrance to university.

Unfortunately, the evolution of public education has been parallel to that of Argentina itself. Education has become disorganized, politicized. Administrative jobs are assigned politically, budgets are permanently short and faculty strikes are common.





















There has been a lively public debate in recent years on how to change UBA
and improve its funding, but not much has been achieved. Because the university is free, chaotic and looks surreal, it remains a mystery how great minds come out of there. Here is a list of some of its students, researchers and graduates' recent achievements:

A team from the Law School won the Philip C. Jessup International Law Moot
Court Competition, 2007-2008 edition.

In 2007 a doctor from the University of Buenos Aires won the L Oreal prize
for Unesco for Women in Science. A doctor in Physics, from the same
University had previously obtained it in 2003.

The Program for Climatic Change created by UBA researchers has been recognized worldwide and some of its members make up the Intergovernmental Panel for Climatic Change, project that contributed to making Al Gore win the Peace Nobel Price in 2007.

Dr. Mónica Pinto, President of Eudeba (UBA's publishing company), was awarded the National Order of Merit from the Embassy of France for her outstanding work in Public International Law.

2006 Konnex prizes to the best figures in Argentine humanities were awarded to 17 members of UBA, members of the faculty, researchers and graduates.

UBA research teams work on subjects such as biodiesel, nanotechnology, advances in breast cancer and climatic change.

UBA Graduates won prizes at the International Research Scholars (2007-2011), Howard Hughes Medical Institute and the Prize Young Animal Scientist (2007).

A student from the School of Natural Sciences is the creator of Google Sky, a tool that lets you see images of the sky.

Going back in time, out of five Nobel Prize Winners that Argentina has, 4 graduated from the University of Buenos Aires and one from the National University of La Plata.

UBA, is another metaphor that well describes our country: so contradictory, so terrible, so marvelous.

Garabito

Ricardo Garabito "El Banquete" pencil, tempera and watercolor.
Courtesy Malba, Buenos Aires.


Ricardo Garabito's art is not frequently seen in Buenos Aires. He cannot exhibit his work every year because it takes him more than that to evolve. He is not the type of artist who would hang his work anywhere just to be "in" the artistic scene of Buenos Aires. It is only after working on numerous paintings that he feels he can choose the best ones and show them to the public. Born in 1930, he has exhibited his work only 11 times. That's why Malba's exhibition of his oil paintings, drawings and watercolors until August 29 is special.

Critics say he is a realist. He paints human figures and still life but uses color as the Fauvists did, chooses subject matters as the surrealists did, puts 3-d figures in 2-dimensional backgrounds and has a peculiar way of using light. Fitting him only into the category of realism would simply not be enough.

His topic is ordinary life. He depicts men, women, still life and a lot of plastic: bottles of bleach, bathroom cleaner, buckets, milk bottles and food cans. His most interesting characters fit into the category of "mersas", an Argentinism used in the 60's and 70's referring to people that did not take care of their own manners or personal appearance.

Some of his models have unfashionable hair cuts from neighborhood's beauty salons, men appear wearing white under t-shirts and women wear fashion items in their chubby bodies and in the most unfashionable way possible. Garabito's characters are anti heroes! His painting is ironic, borders on vulgarity and funny. He has seriously managed to laugh at the aesthetics of every day life.

Garabito studied painting for three years until his teacher - Horacio Butler - told him it was time to move on. He realized that if he was going to paint, he could not copy what other colleagues were doing in an attempt to fit in. He decided to be authentic, to be himself, and that, he achieved indeed.

On view at MALBA: Avenida Figueroa Alcorta 3415



Post by: Valeria Mendez Cañas.

If you like Italian

This time in Punta del Este, I discovered L'Incanto in the heart of Punta's Gourmet hub. It’s about a year old. Joining La Bourgogne and Le Table de Jean Paul - among other prestigious restaurants in this part of the peninsula, L'Incanto definitely lives up to its name: the charm


















L'Incanto integrates warm, intimate interiors with gorgeous gardens, water, stone and wood. The outdoor area is ideal for eating on a nice summer night. Or, you can go to a semi-covered area during winter, good for an after dinner cocktail- with a heater that is! like my friends in the photo above.

check out the bar (it's empty cause we were the last ones to leave, lol)

The menu includes pasta, risotto, meat, fish and a good wine list. We tried their salmon gravlax, steak, pizza and a chocolate volcano with berries, sprinkled with mint. It was all good.

I'm happy to see that Punta del Este is expanding its cuisine options.

We liked L’Incanto and will be going back for more. We hope you like it too. 

Address: Pedragosa Sierra Esquina La Paloma.

dia del niño

Paintng by Milo Lockett


Argentina celebrates a peculiar holiday this coming Sunday. We call it "Children's day" and I thought it would be a good opportunity to talk about childhood.

Childhood is the stage where it all begins. There is a lot of potential in that stage that develops over time. Much has been said about raising children but I think it has to do, foremost, with having a loving/positive relationship with them and your partner. You have to be encouraging and respectful at the same time. That simple, that hard.

To me, teaching/helping children to become INDEPENDENT is key. Once they achieve that at home and feel confident about themselves they will be able to use that confidence as a resource in life. Independence should not be imposed, it should be taught as something to conquer.

When I think of childhood, I think of these words: play, fun, games, friends, treats, toys, swimming, affection, sports, feelings, proximity, assurance, trust, simplicity, creation, fights, hardships, learning, laughter. Francoise Dolto, a famous French psychoanalyst, once said in her book The Cause of Children: "The sources of knowledge are found in children. They are metaphysical. They are beings that ask themselves true questions. As metaphysicists, they look for answers."

In Childhood, playing is the way to independence, a way to find one's own answers. Playing is natural and universal. It is the space we use to develop our potential. It is where children learn to control what they couldn't handle before, it is a creative experience in which their inner world, their own subjectivity is projected, it is a basic way of life. Playing helps us develop, it makes us feel omnipotent, gives us great pleasure and satisfaction, it surprises us, it is where we learn to trust ourselves, where we develop our self esteem.

Unfortunately, some of the spontaneity of childhood fades away in adulthood. We get too taken up by, as The Little Prince would say, "the adult world". I can think of someone that has not lost that freshness, Argentine painter Milo Lockett. He became famous a few years ago when he won ArteBA's most important prize. Everyone in Argentina has heard of him, and his works are purchased massively. He lives in the province of Chaco, he paints images of children, women, men and animals the same way a 4-5 year old would. His style, critics say, fits the category of "art brut". Milo has taught himself the skill, he learned to paint in childhood, he was passionate about it. His art is uncontaminated by artistic conventions, his work is spontaneous and his images, simple. Milo defines himself as an adult that never stopped being a child. I think Milo's case illustrates what childhood is and how it often continues, creatively, later on in life. Perhaps it is this that drives the masses to consume his work.

Happy Children's Day to your kids and to your inner child!

Post by: Valeria Mendez Canas

A Matter of Faith

Photo: Gustavo Cerati


The former lead singer and guitarist of Soda Estereo, Gustavo Cerati, icon of Argentinian pop culture, has been in a coma for a year and three months now.

Explaining Argentinian culture to English speakers can be complicated at times, because, just as some feelings are often hard to explain, so are some terms or expressions in Spanish. However, referring to visual or auditory aids such as art or music helps a person to get a better understanding of things or events.

There are other things that are hard to express, as well, in any culture: whatever isn't working right, illnesses that come to us as a surprise and the way we are confronted with someone’s departure. Explaining Gustavo Cerati combines all of these ingredients. Cerati's songs defined a great part of the 80's generation in Argentina and so did the band's look and identity. Maybe you've heard a Soda Estereo song? songs such as "Signos," "Persiana Americana," "Lo que sangra," "Doble vida," “Cuando pase el temblor” and "Ella uso mi cabeza como un revolver" were popular on MTV even when it didn't have a Latin American Music section. I hope you've heard some of these songs and perhaps understood the strength they have. If you haven't you can just click on the links above.

Gustavo suffered an cerebral vascular accident while performing during a concert in Caracas, Venezuela in May of 2010. Although he’s been in a coma for a very long time, we continue to hope and pray for him to get better.

¡Fuerza Cerati!


Post by: Valeria Peimer
Photo: Cosas de autos

Buenos Aires Tango Festival and World Dance Competition

In this photo: Client of Curiocity Travel

Tango will be the star this month as the Buenos Aires Tango Festival and World Championship begins, on August 16. It will take place at the "Centro de Exposiciones", located at Av. Figeroa Alcorta and Pueyrredon, but there are also performances scheduled at 25 de Mayo Theater and de la Ribera Theater.

If you've already seen a tango performance or if you've been to a "milonga" and feel passionate about tango you can choose from a variety of events organized by the Ministry of Culture of Buenos Aires: dances or "milongas," tango classes for different levels, workshops, conferences, fairs, tango films, shows and concerts.

This festival is interesting because it gathers tango dancers of different ages and places. This generational mix as well as the background diversity, allow you to appreciate different tango styles. In "milongas," the music that will be played will vary: in some cases an orchestra will perform live, in others there will be recorded music or sometimes electronic tango. It will be tango's Tower of Babel!

Don't miss the finals of the Tango Championship at Lunapark Theater. August 29th will be the finals for tango salon category and August 30th will be stage tango's turn. All tickets are free, but you need to plan ahead to obtain them in advance. You can check www.festivales.gob.ar/index.phtml for more information.



Post by: Valeria Mendez Cañas

Finding happiness

Photo: Lucian Pellat Finet


A trait that applies generally to the people of Argentina is Pessimism; Argentines tend to see the negative side of everything. One explanation for this is that our country was originally made up of foreigners who missed their homelands and who were sad because of this. That sadness and the resulting negative outlook passed on from
one generation to the next.

Paul Watzlawick has a book called "How Real is Real?," in which he discusses the influence people have on reality. What is real, I think, is what we make out of life. As children, we are mainly influenced by what goes on inside our families, and that sticks to us, so if you have suffered a negative event and given it a certain amount of relevance, it tends to add some grey to your life, to make it sadder. The more space you give it, the busier your head will be, in a negative way. If you ignore it, it will seem invisible, but have an effect in your life (bother you, still).  What we are not always taught while we are growing up is a positive way to deal with situations.

We are often taught single sided answers to situations when there are many. We are taught one person is the leader, the other the disciple; one person is the victim, the other the offender; one has a passive role, the other has an active role, and this isn't always the case. Whoever plays the victim likes to play that role, and has probably contributed to the situation. Perhaps it's necessary to find an offender to be upset with. Is acting the victim a good position in life, or is playing the role of offender better?

Some currents of Psychology focus on a person's traumatic events so that they don't interfere with their life today. However, due to the fact that psychologists need to remain neutral during the course of a treatment, they don't guide patients enough on their way towards happiness. The work for it to be meaningful and lasting has to be done by the patient. A lot of psychologists are themselves are searching for happiness. Freud said that a psychoanalytical treatment offers relief but does not guarantee happiness. The key to happiness lies inside our own heads and a viable way to be at ease with ourselves is to take time to learn about ourselves and our issues, knowing that there is not only one solution to a problem but many and that it is up to us to stretch our minds so as to search for those answers.

When a child is diagnosed with ADD, Attention Deficit Disorder, what can his parents do? Can they just give medications? The words in the diagnosis itself are indicating the problem: deficit, lack of attention. Aren't parents capable of realizing that their child is acting strangely as a way of demanding more attention? Perhaps children diagnosed with ADD are just bored. Does anyone ever think about that? Medication in such cases does not necessarily solve the problem. It just suppresses a child's feelings.

When someone is diagnosed with "Depression", is it necessary to accept the diagnosis, or is it better to decide to overcome that state of mind?

Martin Seligman, the founder of a movement in Psychology called Positive Psychology, says we should be aware of but not get stuck on the issues that bother us, or the mistakes we have made. We shouldn't ask ourselves in regards to those events, "Why was I such a fool?".

I think happiness has more to do with being positive, forgiving, with having good expectations and most of all, with being active and pushing things so that they go the way you want them to go, not thinking that reality has already been determined and that you have to accept it.



Post by: Valeria Mendez Cañas - associate psychologist

winter food

It’s not easy to define authentic Argentinean food because there is a lot of influence from European immigrants, but, if one could get close, a dish called "Puchero" would certainly be it. Yes, we all know that steak is a very Argentinian dish but except for places like India, beef is quite common everywhere in the world, really.

Puchero on the other hand, although also an adaptation of a Spanish dish, is a typical Argentinian meal, not consumed (at least not the way it's made here), in other parts of the world.

The meal consists of serving various boiled meats and vegetables that are served separately plus a soup plate.

Argentines relate this meal to their families. It is a popular, "homey" winter-ish meal, used as an excuse to get together, to talk and enjoy. There are restaurants that prepare it, although it is not very common. The Plaza hotel makes a good one, it is served on Sundays. El Globo and El Imparcial are other well known and traditional places that serve it, or you could try Jose Luis'.


How do I make Puchero?

Put some music on and serve yourself and who ever else is in the kitchen with you some wine.

Boil 5 liters of water with a little thick salt, an onion cut in 4 pieces and leek. When it boils, add 2 kilos of beef and let it slowly cook for 45 minutes.

Add two breasts of chicken, 400gr of bacon and 6 chorizos (like a kind of sausage); 5 potatoes cut in half, 5 carrots, pumpkin cut in half, 5 sweet potatoes and celery.

When you consider that there are about 7 minutes left for it to cook, boil 5 corns. In a separate pot boil chickpea which sat in water since the night before. Serve everything in a big bowl, and the broth in a separate recipient as a starter. Add angel hair pasta or rice to it and voila! you have your Puchero.

Hope you like it, and please let us know if you have tried something similar, or what is your favorite dish on a cold winter day!

Restaurants:

El Globo: Hipólito Yrigoyen 1199, Bs.As.
El Imparcial: Hipólito Yrigoyen 1201, Bs. As.
José Luis: Quintana, Av. 456, Bs. As.

Via gourmet recipe and photo.

Seguí

Jardín Tropical


Antonio Seguí says he got interested in painting when he was 8 years old. He lived in Villa Allende, Córdoba, Argentina, in a rural area in the mountains. It was the 40's and there wasn't much going on in his town.
He grew up with his parents, sister, twin brothers and grandmother who was the one that urged him to pursue a career in art.
When he turned 18, his grandmother became his sponsor. With the money he got from her, he traveled to Paris to study but he wasn't a steady student in any academy, he only took courses on the topics of his interest and visited a lot of museums to learn.

When his grandmother, Ana, passed away, he quickly became an adult and decided that he was going to be an artist and he was going to live from his art work. He started traveling through Latin America and producing art and participating in exhibitions. He had a talent for connecting with other people, artists of all sorts and intellectuals. He set up his own workshop in the 60's in Paris and became famous by age 30.

What is most representative of Segui's work, a hallmark of his creations that helps us identify him, is a little country man with a black hat on his head that he often draws. He says he paints that little man all the time because it reminds him of his childhood in Cordoba. He uses the little man's figure in different ways, because, of course, he has evolved with him, so you see him in varied subject matters.

Women didn't use to be out in the streets so much back in those times, they were expected to be at home, with the family, that’s why he rarely paints them. He paints little men, preoccupied, minding their own business, staying in their own way, showing little concern for others. Antonio Seguí has never seen his grandfathers nor his father without a hat.

Seguí is 77 years old now, and works every day, from 7 am, even the weekends. What drives him to do that? 7 am is the time his little men in a hat wake up and come out for a walk on the streets of fragmented chaos and alienation, the same chaos he felt as a child, the same feeling he wonders about today. Those little men, he says, will help him paint his perfect picture. He feels that this has not yet happened for him, which is his reason to work and to hope everyday.

Check out his work at Mamba.

xx

Learn more about Seguí: Una charla con I. Schuliaquer. Ed. Capital Intelectual.

Post by: Valeria Mendez Cañas

Gustavo

Gustavo Santaolalla

"No city is like Buenos Aires" is the expression Gustavo Santaolalla uses to refer to our hometown.

I didn't know much about Gustavo Santaolalla until he won his first Oscar for "Original Soundtrack" for the film Brokeback Mountain. It was then that I became more curious and started to look into his work. We are from different generations and although Santaolalla has repeatedly said that he has two loves - Rock 'n' Roll and Latin Culture, his music was at first very influenced by Argentine "folk". Perhaps that explains why I was never going to listen to it... because as a teenager, I found it was "uncool".

His electrotango band "Bajo Fondo" however, got me interested in the way he had integrated his "loves" into his music introducing technology to make tango sound different, to bring it closer to other generations. I thought his was a unique idea.

Today, I read that he was from a neighborhood called "Ciudad Jardín". A very small and humble town in the Western section of the greater Buenos Aires area. And, though I still don't know that much about him, this article made me think about his dreams. There is a long way between Ciudad Jardin and Hollywood, California, to name a place he made it to. I can assure you this cause I know how far Ciudad Jardín is, even from Buenos Aires city.

He mentioned in this article that the streets in his hometown were made out of dirt and that services were very limited. He remembers coming to the city was a great, long, and exciting trip and that a common expression in his neighborhood was "I am going to the capital", meaning the city of Buenos Aires. The distance he had to travel and the means of transportation he used to get to town were, at that time, far from convenient and it was a long trip indeed, but he remembers that every time that he arrived he thought: "this is everything they say about a great city, so many avenues! so many different people!"

I see his trip to the city as a metaphor for his later achievements. The trip was probably a little complicated and long, yes, but, in his head he knew the way and in his heart he had passion. He knew, also, how to let himself be surprised and how to surprise others with the ingenuity (the same ingenuity with which he discovered the city) that of the child that lives inside of him.

For your music and talent, thank you Mr. Santaolalla!

Photo:7dias
Post by: Valeria Peimer