If you like Italian

This time in Punta del Este, I discovered L'Incanto in the heart of Punta's Gourmet hub. It’s about a year old. Joining La Bourgogne and Le Table de Jean Paul - among other prestigious restaurants in this part of the peninsula, L'Incanto definitely lives up to its name: the charm


















L'Incanto integrates warm, intimate interiors with gorgeous gardens, water, stone and wood. The outdoor area is ideal for eating on a nice summer night. Or, you can go to a semi-covered area during winter, good for an after dinner cocktail- with a heater that is! like my friends in the photo above.

check out the bar (it's empty cause we were the last ones to leave, lol)

The menu includes pasta, risotto, meat, fish and a good wine list. We tried their salmon gravlax, steak, pizza and a chocolate volcano with berries, sprinkled with mint. It was all good.

I'm happy to see that Punta del Este is expanding its cuisine options.

We liked L’Incanto and will be going back for more. We hope you like it too. 

Address: Pedragosa Sierra Esquina La Paloma.

dia del niño

Paintng by Milo Lockett


Argentina celebrates a peculiar holiday this coming Sunday. We call it "Children's day" and I thought it would be a good opportunity to talk about childhood.

Childhood is the stage where it all begins. There is a lot of potential in that stage that develops over time. Much has been said about raising children but I think it has to do, foremost, with having a loving/positive relationship with them and your partner. You have to be encouraging and respectful at the same time. That simple, that hard.

To me, teaching/helping children to become INDEPENDENT is key. Once they achieve that at home and feel confident about themselves they will be able to use that confidence as a resource in life. Independence should not be imposed, it should be taught as something to conquer.

When I think of childhood, I think of these words: play, fun, games, friends, treats, toys, swimming, affection, sports, feelings, proximity, assurance, trust, simplicity, creation, fights, hardships, learning, laughter. Francoise Dolto, a famous French psychoanalyst, once said in her book The Cause of Children: "The sources of knowledge are found in children. They are metaphysical. They are beings that ask themselves true questions. As metaphysicists, they look for answers."

In Childhood, playing is the way to independence, a way to find one's own answers. Playing is natural and universal. It is the space we use to develop our potential. It is where children learn to control what they couldn't handle before, it is a creative experience in which their inner world, their own subjectivity is projected, it is a basic way of life. Playing helps us develop, it makes us feel omnipotent, gives us great pleasure and satisfaction, it surprises us, it is where we learn to trust ourselves, where we develop our self esteem.

Unfortunately, some of the spontaneity of childhood fades away in adulthood. We get too taken up by, as The Little Prince would say, "the adult world". I can think of someone that has not lost that freshness, Argentine painter Milo Lockett. He became famous a few years ago when he won ArteBA's most important prize. Everyone in Argentina has heard of him, and his works are purchased massively. He lives in the province of Chaco, he paints images of children, women, men and animals the same way a 4-5 year old would. His style, critics say, fits the category of "art brut". Milo has taught himself the skill, he learned to paint in childhood, he was passionate about it. His art is uncontaminated by artistic conventions, his work is spontaneous and his images, simple. Milo defines himself as an adult that never stopped being a child. I think Milo's case illustrates what childhood is and how it often continues, creatively, later on in life. Perhaps it is this that drives the masses to consume his work.

Happy Children's Day to your kids and to your inner child!

Post by: Valeria Mendez Canas

A Matter of Faith

Photo: Gustavo Cerati


The former lead singer and guitarist of Soda Estereo, Gustavo Cerati, icon of Argentinian pop culture, has been in a coma for a year and three months now.

Explaining Argentinian culture to English speakers can be complicated at times, because, just as some feelings are often hard to explain, so are some terms or expressions in Spanish. However, referring to visual or auditory aids such as art or music helps a person to get a better understanding of things or events.

There are other things that are hard to express, as well, in any culture: whatever isn't working right, illnesses that come to us as a surprise and the way we are confronted with someone’s departure. Explaining Gustavo Cerati combines all of these ingredients. Cerati's songs defined a great part of the 80's generation in Argentina and so did the band's look and identity. Maybe you've heard a Soda Estereo song? songs such as "Signos," "Persiana Americana," "Lo que sangra," "Doble vida," “Cuando pase el temblor” and "Ella uso mi cabeza como un revolver" were popular on MTV even when it didn't have a Latin American Music section. I hope you've heard some of these songs and perhaps understood the strength they have. If you haven't you can just click on the links above.

Gustavo suffered an cerebral vascular accident while performing during a concert in Caracas, Venezuela in May of 2010. Although he’s been in a coma for a very long time, we continue to hope and pray for him to get better.

¡Fuerza Cerati!


Post by: Valeria Peimer
Photo: Cosas de autos

Buenos Aires Tango Festival and World Dance Competition

In this photo: Client of Curiocity Travel

Tango will be the star this month as the Buenos Aires Tango Festival and World Championship begins, on August 16. It will take place at the "Centro de Exposiciones", located at Av. Figeroa Alcorta and Pueyrredon, but there are also performances scheduled at 25 de Mayo Theater and de la Ribera Theater.

If you've already seen a tango performance or if you've been to a "milonga" and feel passionate about tango you can choose from a variety of events organized by the Ministry of Culture of Buenos Aires: dances or "milongas," tango classes for different levels, workshops, conferences, fairs, tango films, shows and concerts.

This festival is interesting because it gathers tango dancers of different ages and places. This generational mix as well as the background diversity, allow you to appreciate different tango styles. In "milongas," the music that will be played will vary: in some cases an orchestra will perform live, in others there will be recorded music or sometimes electronic tango. It will be tango's Tower of Babel!

Don't miss the finals of the Tango Championship at Lunapark Theater. August 29th will be the finals for tango salon category and August 30th will be stage tango's turn. All tickets are free, but you need to plan ahead to obtain them in advance. You can check www.festivales.gob.ar/index.phtml for more information.



Post by: Valeria Mendez Cañas

Finding happiness

Photo: Lucian Pellat Finet


A trait that applies generally to the people of Argentina is Pessimism; Argentines tend to see the negative side of everything. One explanation for this is that our country was originally made up of foreigners who missed their homelands and who were sad because of this. That sadness and the resulting negative outlook passed on from
one generation to the next.

Paul Watzlawick has a book called "How Real is Real?," in which he discusses the influence people have on reality. What is real, I think, is what we make out of life. As children, we are mainly influenced by what goes on inside our families, and that sticks to us, so if you have suffered a negative event and given it a certain amount of relevance, it tends to add some grey to your life, to make it sadder. The more space you give it, the busier your head will be, in a negative way. If you ignore it, it will seem invisible, but have an effect in your life (bother you, still).  What we are not always taught while we are growing up is a positive way to deal with situations.

We are often taught single sided answers to situations when there are many. We are taught one person is the leader, the other the disciple; one person is the victim, the other the offender; one has a passive role, the other has an active role, and this isn't always the case. Whoever plays the victim likes to play that role, and has probably contributed to the situation. Perhaps it's necessary to find an offender to be upset with. Is acting the victim a good position in life, or is playing the role of offender better?

Some currents of Psychology focus on a person's traumatic events so that they don't interfere with their life today. However, due to the fact that psychologists need to remain neutral during the course of a treatment, they don't guide patients enough on their way towards happiness. The work for it to be meaningful and lasting has to be done by the patient. A lot of psychologists are themselves are searching for happiness. Freud said that a psychoanalytical treatment offers relief but does not guarantee happiness. The key to happiness lies inside our own heads and a viable way to be at ease with ourselves is to take time to learn about ourselves and our issues, knowing that there is not only one solution to a problem but many and that it is up to us to stretch our minds so as to search for those answers.

When a child is diagnosed with ADD, Attention Deficit Disorder, what can his parents do? Can they just give medications? The words in the diagnosis itself are indicating the problem: deficit, lack of attention. Aren't parents capable of realizing that their child is acting strangely as a way of demanding more attention? Perhaps children diagnosed with ADD are just bored. Does anyone ever think about that? Medication in such cases does not necessarily solve the problem. It just suppresses a child's feelings.

When someone is diagnosed with "Depression", is it necessary to accept the diagnosis, or is it better to decide to overcome that state of mind?

Martin Seligman, the founder of a movement in Psychology called Positive Psychology, says we should be aware of but not get stuck on the issues that bother us, or the mistakes we have made. We shouldn't ask ourselves in regards to those events, "Why was I such a fool?".

I think happiness has more to do with being positive, forgiving, with having good expectations and most of all, with being active and pushing things so that they go the way you want them to go, not thinking that reality has already been determined and that you have to accept it.



Post by: Valeria Mendez Cañas - associate psychologist

winter food

It’s not easy to define authentic Argentinean food because there is a lot of influence from European immigrants, but, if one could get close, a dish called "Puchero" would certainly be it. Yes, we all know that steak is a very Argentinian dish but except for places like India, beef is quite common everywhere in the world, really.

Puchero on the other hand, although also an adaptation of a Spanish dish, is a typical Argentinian meal, not consumed (at least not the way it's made here), in other parts of the world.

The meal consists of serving various boiled meats and vegetables that are served separately plus a soup plate.

Argentines relate this meal to their families. It is a popular, "homey" winter-ish meal, used as an excuse to get together, to talk and enjoy. There are restaurants that prepare it, although it is not very common. The Plaza hotel makes a good one, it is served on Sundays. El Globo and El Imparcial are other well known and traditional places that serve it, or you could try Jose Luis'.


How do I make Puchero?

Put some music on and serve yourself and who ever else is in the kitchen with you some wine.

Boil 5 liters of water with a little thick salt, an onion cut in 4 pieces and leek. When it boils, add 2 kilos of beef and let it slowly cook for 45 minutes.

Add two breasts of chicken, 400gr of bacon and 6 chorizos (like a kind of sausage); 5 potatoes cut in half, 5 carrots, pumpkin cut in half, 5 sweet potatoes and celery.

When you consider that there are about 7 minutes left for it to cook, boil 5 corns. In a separate pot boil chickpea which sat in water since the night before. Serve everything in a big bowl, and the broth in a separate recipient as a starter. Add angel hair pasta or rice to it and voila! you have your Puchero.

Hope you like it, and please let us know if you have tried something similar, or what is your favorite dish on a cold winter day!

Restaurants:

El Globo: Hipólito Yrigoyen 1199, Bs.As.
El Imparcial: Hipólito Yrigoyen 1201, Bs. As.
José Luis: Quintana, Av. 456, Bs. As.

Via gourmet recipe and photo.

Seguí

Jardín Tropical


Antonio Seguí says he got interested in painting when he was 8 years old. He lived in Villa Allende, Córdoba, Argentina, in a rural area in the mountains. It was the 40's and there wasn't much going on in his town.
He grew up with his parents, sister, twin brothers and grandmother who was the one that urged him to pursue a career in art.
When he turned 18, his grandmother became his sponsor. With the money he got from her, he traveled to Paris to study but he wasn't a steady student in any academy, he only took courses on the topics of his interest and visited a lot of museums to learn.

When his grandmother, Ana, passed away, he quickly became an adult and decided that he was going to be an artist and he was going to live from his art work. He started traveling through Latin America and producing art and participating in exhibitions. He had a talent for connecting with other people, artists of all sorts and intellectuals. He set up his own workshop in the 60's in Paris and became famous by age 30.

What is most representative of Segui's work, a hallmark of his creations that helps us identify him, is a little country man with a black hat on his head that he often draws. He says he paints that little man all the time because it reminds him of his childhood in Cordoba. He uses the little man's figure in different ways, because, of course, he has evolved with him, so you see him in varied subject matters.

Women didn't use to be out in the streets so much back in those times, they were expected to be at home, with the family, that’s why he rarely paints them. He paints little men, preoccupied, minding their own business, staying in their own way, showing little concern for others. Antonio Seguí has never seen his grandfathers nor his father without a hat.

Seguí is 77 years old now, and works every day, from 7 am, even the weekends. What drives him to do that? 7 am is the time his little men in a hat wake up and come out for a walk on the streets of fragmented chaos and alienation, the same chaos he felt as a child, the same feeling he wonders about today. Those little men, he says, will help him paint his perfect picture. He feels that this has not yet happened for him, which is his reason to work and to hope everyday.

Check out his work at Mamba.

xx

Learn more about Seguí: Una charla con I. Schuliaquer. Ed. Capital Intelectual.

Post by: Valeria Mendez Cañas

Gustavo

Gustavo Santaolalla

"No city is like Buenos Aires" is the expression Gustavo Santaolalla uses to refer to our hometown.

I didn't know much about Gustavo Santaolalla until he won his first Oscar for "Original Soundtrack" for the film Brokeback Mountain. It was then that I became more curious and started to look into his work. We are from different generations and although Santaolalla has repeatedly said that he has two loves - Rock 'n' Roll and Latin Culture, his music was at first very influenced by Argentine "folk". Perhaps that explains why I was never going to listen to it... because as a teenager, I found it was "uncool".

His electrotango band "Bajo Fondo" however, got me interested in the way he had integrated his "loves" into his music introducing technology to make tango sound different, to bring it closer to other generations. I thought his was a unique idea.

Today, I read that he was from a neighborhood called "Ciudad Jardín". A very small and humble town in the Western section of the greater Buenos Aires area. And, though I still don't know that much about him, this article made me think about his dreams. There is a long way between Ciudad Jardin and Hollywood, California, to name a place he made it to. I can assure you this cause I know how far Ciudad Jardín is, even from Buenos Aires city.

He mentioned in this article that the streets in his hometown were made out of dirt and that services were very limited. He remembers coming to the city was a great, long, and exciting trip and that a common expression in his neighborhood was "I am going to the capital", meaning the city of Buenos Aires. The distance he had to travel and the means of transportation he used to get to town were, at that time, far from convenient and it was a long trip indeed, but he remembers that every time that he arrived he thought: "this is everything they say about a great city, so many avenues! so many different people!"

I see his trip to the city as a metaphor for his later achievements. The trip was probably a little complicated and long, yes, but, in his head he knew the way and in his heart he had passion. He knew, also, how to let himself be surprised and how to surprise others with the ingenuity (the same ingenuity with which he discovered the city) that of the child that lives inside of him.

For your music and talent, thank you Mr. Santaolalla!

Photo:7dias
Post by: Valeria Peimer

it's love

What happens when things don't go the way we expect them to in a relationship? What happens when your partner becomes someone you don't like so much? Are you willing to retrace your steps? Is he or she? Are you willing to recognize your own doings or are you the one to blame it all on your partner?

Miguel Espeche is an Argentinian Psychologist whose work we have set our eyes on. He has coordinated workshops in Buenos Aires for 22 years. These workshops are quite famous in the city. The topics are so varied (bonding, sexuality, family, aging, working), there is something for everyone.

Here is an extract of one of his cases we have translated:

"He didn't take everything away"

"His departure left loneliness and a lot of pain. He took everything when he left". She felt lonely, infinitely sad and most of all, deserted.

For her, he had been the mirror in which she had reflected and recognized herself for many years but her mirror was no longer there. She found herself caressing her kids at night, telling them words she wasn't sure of, looking at the world through a cold glass. All this because he wasn't there, because she remained at their home surrounded by their furniture and the objects that had been theirs for ages, objects that now seemed soulless, like her.

For good or for bad she had given him everything, even her own identity. She had chosen to be the verb instead of the subject, not because she was foolish, but because that was the way things unfolded. For her, it was a relief to have someone assume matters concerned with her own being and she went with it, she did what she thought was expected of her, she turned into an echo, instead of being the source of sound.

Time went by and she was surprised to feel alive again. She began to feel new emotions, these emotions were not his echo, they came from her own self, a source she started to like and value as others did. He, on the other side, felt that he had taken with him his own shadow, the one that was obstructing her personal feelings, her voice. She began to have her own dreams and desires and realized that he didn't have much to do with that anymore. She started feeling better, happier. She concluded he hadn't taken everything, he had only taken a part of her history.

Today they are flirting again, although they are still separated (this is a real story that is taking place). I don't know how this story will end but it is interesting to see how it is developing. He has already said that he felt saturated by what first attracted him to her "being everything for her", the undeniable center of her attention. She had also liked delegating her own being in that man. He had "broken the rules" of the game saying he felt lonely and in need of the company of someone else's voice, not just an echo of his own".

We think that if things get out of balance, it is up to each person in the couple to rediscover love without turning the other person into (or becoming) the subordinate, which as the extract shows, can ruin a relationship.

There are no villains in relationships. If there is love, difficulties can be overcome by trying to understand what each person's contribution to its wrong doing is. By working together finding healthier ways of relating to one another the relationship will obviously bring a lot of satisfaction and happiness.

Migue Espeche once said: "Healthy people suffer from love, that doesn't just happen to fools or ill people. The people that have the courage to assume the risks love requires are however, probably the healthiest."




Translation by Valeria Mendez Cañas extract from the July issue of Sophia Magazine

ants at work

Since it's Monday, we thought it would be fun to remind ourselves (and share with you) some easy tips on how to work better. Most of these are quite obvious, but a nice reminder on how to be more productive while learning and having a good time.

How to work better

1. Do one thing at a time
2. Know the problem
3. Learn to listen
4. Learn to ask questions
5. Distinguish sense from nonsense *
6. Accept changes as inevitable
7. Admit mistakes
8. Say it simple
9. Be calm
10.Smile

*Good point. Let's stop here for a second. It's great to be connected (facebook, linked-in, twitter, asw, ) although it's a bit too much sometimes, no? this constant connection? how do you deal with the overload of information? how does it affect your work? how do you filter information? we'd love to know your thoughts on this and on what makes you work better, if you work.

Have a nice week!

xx

photo: peque

Palermo Exhibition

Don't miss James Joyce by Ana Lía Werthein at Dain Usina Cultural, you'll like it!




















I found out about this exhibition thanks to the kindness of one of our readers (we love our readers!) who sent us an email telling us that we should check it out. So I did!

The exhibition curated by Rodrigo Alonso, includes several of Ana Lía's works inspired by Joyce. Just as Joyce used all the literary resources available to him in his work, Ana Lía uses a rich repertoire of techniques including drawing, graphics, paint, manuscripts and watercolor painting in her exploration of Joyce, sharing with us her sensitive encounter with his universe via paintings, objects, sculptures, photography and mixed techniques.
























The artist who lives and works in Buenos Aires is also a psychoanalist.



From Tues. to Sun. from 10 - 21 hrs. Thames and Nicaragua St., Palermo.

winter

As winter has finally arrived in Buenos Aires, we figure it’s nice to spend some time indoors. Cooking is the activity that comes to mind with this cold weather, or... shall we say... eating!

If you are interested in improving your culinary skills, Lucullus, the Gastronomic French Association in Buenos Aires, is hosting its Winter Cuisine Cycle. These cycles, this year, are three, being this the second one. Next one will take place during the spring. Here is the program for the rest of the week. Thought you might like to attend.

Wed. July 20, 8 p.m.
Olivier Falchi, Le Sud chef, in Hotel Sofitel (Arroyo 841, Recoleta)
“Soups and Veloutés ”

Thur. July 21, 8 p.m.
La Cave à Vin- French wineries in Argentina in Escuela Vatel (Paraguay 1583)
French wine and Champagne tasting

Fri. July 22, 8 p.m.
Jean-Paul Bondoux, La Bourgogne's chef and owner & Jérôme Mathe, Le Café des Arts chef (Figueroa Alcorta 3415, Palermo)
“14 Juillet, Specialties from our provinces”

Sat. July 23, 10 a.m.
Bruno Gillot, L’Épi Boulangerie's chef inEscuela de Pastelería (Corrientes 4367, Cap.Fed.)
Pastries: “Puff paste and apples”

Sat. July 23, 2 p.m.
Olivier Hanocq, L’Épi Boulangerie's chef in Escuela de Pastelería (Corrientes 4367, Cap.Fed.)
Pastries: “Chocolate bombons”

Sat July 23, 7 p.m.
Toufic Reda and Emiliano Di Nisi, Tô Buenos Aires' executive chefs (Costa Rica 6000, Palermo)
“Garnishes and chutneys in Frapanese Cuisine”

For more information: http://www.lucullus.com.ar


Ahhhh! It's friend's day in Argentina today, what are your plans? restaurants will be bursting at the seams with people celebrating. Keep that in mind when planning your night out and... happy friend's day!

Proust

cuestionario Proust a Doisneau

air, earth, water

Random photos from Curiocity Villas - collection of beautiful vacation rentals in Punta del Este, Uruguay.  You deserve.

about a horse

I'm sure many of you have seen Secretariat? it's a film about an incredible, American race horse who won the Triple Crown and his owner, Penny Chenery Tweedy.

Aside from the fact that the film is entertaining, and that I absolutely adore that horse, there are other things that it made me think about:

Dynamics, chemistry, connection, synergy are some words that come to my mind. Sure, the horse had the genes, but it was the combination of that and the love of Penny that made him be the most he could be and her as well. It's so magical when that profound connection takes place between people (ok, in the film it's a horse) but you know what I mean. In Spanish there is a word - "cómplice" it's about the other person being with you, it's about collaboration. The English translation is "accomplice".

Preparation. Some people wonder why some things do not turn out the way they want. Well, a few questions that may help in understanding why are: are we prepared? have we done all that we can to learn as much as we can on a certain matter? have we practiced as much as possible and surrounded ourselves with people who know about our specific field/s of interest, in order to learn from them?

Believe in yourself and trust your instincts. Seems obvious, BUT do we always trust ourselves? Throughout the film we see Penny (the owner of the horse) face difficult situations with no support from family or friends cause they do not believe that she can do what she wants to do. Do what you want to do. You can listen to others, but do what makes you feel good. Often, it is those close to us that tell us that what we want is not possible to achieve. Be true to yourself and to your passions. There is a quote from Penny which I loved: "This is not about going back. This is about life being ahead of you and you run at it! Because you never know how far you can run unless you run".

Someone once said to me "if you do really well, people will not like you. If you do really, really well, people will be inspired by you". Secretariat is a story of love and extraordinary courage. That's inspiring. The horse and the owner both did really, really well. Against all odds.

A good team is crucial. Penny managed to put together a team of great people - the horse trainer, her father's secretary, jockey, stable hand, to name a few of the people that worked with her. They not only loved the horse, believed in him and her, but also worked relentlessly towards the same goal, giving Secretariat all the stamina to win the triple crown.

I hope you saw the film so that you can share with us the things that you loved or did not like about it.

xx

words on love

I've been away on a little trip and I've had time to think and time to listen. I've come across some interesting people and read some great articles on love and relationships that I want to share with you.

Freud said that when we fall in love, we fall for a reflection of ourselves. We love, in the other person, those aspects that are very similar to ours. Love, for Freud, is illusory and based on narcissism. Of course that kind of love only lasts for a while but, how do we continue to love our partner once we are past that stage? Love, as we know, has to evolve, to mature. Jacques Lacan said that love is giving our partner what we don't have. Which means: to love is to recognize your lack and give it to the other, place it in the other. It’s not giving what you possess, goods and presents, it’s giving something else that you don’t possess, which goes beyond you. Our own flaws are involved and that is how we love, with our flaws. He also stated that we love someone who really isn't who we think he is, reminding us to be aware that a lot of narcissism goes into love.

Nick Paumgaiten wrote in "Looking for Someone" in The New Yorker Magazine, an article referred to contemporary love and the ways people use the internet in search of a companion. He comments on the work of Gian Gónzaga who runs a site called eHarmony. It seems that this site, which is used to pair people up, was born after many years of interviewing couples. By watching the way they interact, they can predict wether the relationship is going to work out or not. They look for specific traits: How do you treat your partner? How are your comments? Are they positive? Are they negative? Are they assuring? Do you underestimate your partner? Do you use humor in order to bring up issues that trouble you? Can you use humor in a positive way? Can you create constructive solutions to your issues? Do you have problems solving skills? Who has them? One? or both?
They say that sometimes, you mate with someone you think is right for you but in reality he or she is not. All goes well until some kind of incompatibility arises: "Incompatibility can often be unperceivable until a couple is subjected to some kind of difficulty of the world's devising: problems involving health, money, children or work". They blame stress for it, of course, but I see it with a different light: situations start becoming more real, narcissism fades away with time. What now? I think it is at this point where a lot of couples split up. They trick themselves into thinking they will be better off alone or with someone that will provide another narcissistic high for them.

Dan Savage, expresses his view in July 3rd, New York Times Sunday Magazine article "Infidelity Keeps us Together". He argues that in his relationship what has kept him bound to his partner was his and her honesty and allowing each other to have sex encounters with other people from time to time.

Dan Savage writes a column for Seattle's The Stranger, called "Savage Love", very contemporary indeed but my thinking is more along the line of Lisa Appignanesi's, author of "All about Love". In an interview in this month's issue of Elle Magazine by Ben Dickinson, she says: "Marriage is interesting now because we want so much out of it, and it's strains are therefore telling, so we develop huge resources of invention and patience and durability to make it work ... You don't want to just say 'Nothing is good if it doesn't have a positive ending or it's only good if it's easy and smooth and always happy'".

In this space, we are always looking out for people that we consider that stand out in their personal fulfillment, we have mainly written about artists. We think that we, as human beings, are the only ones in command of the relationships we seek, we build, we nourish, we surround ourselves with. Once we find the right match, it is up to us to drive the relationship to its best state and because the skills it requires, anyone that believes to be constantly contributing in that sense, we consider an achiever (no need to be famous, just proud). Cheers to you then.



Post: Vale Mendez Cañas
Photo: Mich

Cosmópolis

Photo: Horacio Coppola

You've probably heard of Borges

Perhaps you've read some of his works and liked what you read. Maybe you've been to Buenos Aires before, and while you were here, you were curious to learn more about the author. Maybe you sat at the cafés he frequented (Tortoni, La Biela, etc), visited the National Library he once directed, went to Plaza San Martin where he took long walks or walked through Palermo, the neighborhood where he grew up. Maybe you did all of this without even knowing about Borges and how this all relates to him. To my surprise, I've had two or three clients very interested in Borges, his work and his life in Buenos Aires. It is thanks to one of these clients (a couple actually) that a few years ago, I had the pleasure of following the author's "footsteps" - this time consciously * and in the company of someone from AD who actually knows a respectable bit about the author and his life, unlike me.

This year, in the frame of Buenos Aires as Book Capital of the World, there have been many interesting events which I've been sharing with you. Today, it's about a new exhibition organized by the Ministry of Culture of the city of Buenos Aires.

“Cosmópolis, Borges y Buenos Aires” is an audiovisual exhibition, that explores the connection between the Argentinian writer and the city of Buenos Aires.

Created by Juan Insúa, “Cosmópolis" is an adaptation of the same exhibition that was presented at the Contemporary Cultural Center of Barcelona in 2002. This new version explores in a more profound manner this particular bond between Jorge Luis Borges and the city of Buenos Aires.

Through images and audiovisual material, “Cosmópolis, Borges y Buenos Aires” invites us to explore the evolution of Borges' literature with special attention to the way the author passes from a precise stage (Buenos Aires) to a universal city.

The exhibition is divided into seven sections that follow the work of the author in chronological order as well as a thematic manner:

-FUNDACIÓN MÍTICA (Mythic Foundation)
-FERVOR DE BUENOS AIRES (Passion of Buenos Aires)
-EL SUR METAFÍSICO (Metaphysic South)
-LA CIUDAD TRANSFIGURADA (Transfigured city)
-LA BIBLIOTECA INFINITA (Infinite library)
-EL HERESIARCA CANONIZADO
-COSMÓPOLIS


About 150 photos from photographers such as Horacio Coppola, Grete Stern, Humberto Rivas, Pepe Fernández y Facundo Zuviría help us situate ourselves in the city of Buenos Aires in different time periods, along with seven audiovisual pieces including “Fundación mítica de Buenos Aires” - corresponding to a poem that traces the poetic process of the foundation of Buenos Aires; “Fervor de Buenos Aires” which explores the Buenos Aires of the 1920's through moving images of that time period, allowing us to feel the city at the start of the century; and “El Tango” which elaborates a reflection on the origins and evolution of Tango, among others.


Where? Casa de la Cultura del Gobierno Porteño: Avenida de Mayo 575, Buenos Aires.
When? Tuesdays to Sundays from 14:00 to a 20:00hs. Til December 2011.

*meaning that this time I was doing it in order to understand a little more about Borges and not by coincidence.

Mirage

A photography exhibition at Centro Cultural Recoleta really caught my eye today. It is Marino Santa Maria's, "Mirage: Permanence vs. Ephemeral".

Santa Maria plays with images and mirrors. His pictures employ mirrors to show you an image that is different than the one that should be reflected in the mirror. He is a good analyst of what we call reality. He plays with meaning and has a special ability to turn complex thoughts into something tangible and beautiful. I feel that throughout his work, he is saying "I know what you expect to see, but instead, I'll show you something else", what effect does that have on you? He distorts your perception and wakes up your curiosity.

I hope that you can see this exhibition. Take some time to view the pictures and take the title of the exhibition into consideration as well. Santa Maria's concepts of permanence and change are a nice metaphor for life. Mirrors can show you still images or movement. As in life, some things are always the same while others change very rapidly.

Some of the questions that rise are: How do we react to change? what is permanent and what is ephemeral? how do we react to things and events when they are different than we expect?



















Have a nice weekend! xx

Current Exhibition

When we were writing this post I remembered that I had a book I got at Zurbarán's Art Hotel, with all the great Argentinian Artists, so I looked for it, and there it was. Here are two images where you can see a little of Figari's work. Of course, one has to stand in front of the work of art but sadly I don't own one of his paintings.


Pedro Figari's work is on exhibition at Zurbarán Art Gallery (Av. Alvear 1658, Buenos Aires) until June 30. That's tomorrow! His name is very representative of South American art.
He was a Uruguayan lawyer and legislator that reinvented himself and became an artist. He also loved writing, journalism and philosophy.
It took him a year to start making a living out of his art work. He was 60 years old. He moved to Buenos Aires to pursue his passion, chose the best art gallery of the time to show his work and also made himself well liked in Paris. In fact, his first painting was purchased by a Parisian man who was doing business here at the time.
It was the end of the 1920's. Argentina was a very rich and powerful country back then. The Argentinian elite liked to purchase art from Europe mainly but the works of Fernando Fader, Cesáreo Bernaldo de Quiros and Pedro Figari were also favorites.
Figari's work shows the tradition, simplicity and roots of Uruguay by depicting candombes (a black slaves' dance), images of old Montevideo, Ombu trees and peasants.
We are firm believers that a clear objective, a strong will and enjoying what you do will get you were you want to be and think that Figari is a good example of that.

Gold Rush

Argentinian model, Milagros Schmoll for ELLE Germany.
Photo by Jonas Bresnan